“花雅之争”与戏曲音乐体制的转型
发布时间：2019-04-07 19:15
【摘要】：清代剧坛"花雅之争"的重要结果之一是中国戏曲音乐体制由曲牌体独擅天下转变为以板腔体结构占据主导,戏曲音乐完成了两大曲体的过渡与交接,中国戏曲由此进入现代化发展历程。在这一转型过程中,传统南北曲包含板腔变化的曲牌联套音乐体制,清代京腔带有过渡痕迹的曲牌、板腔兼用体制,清代秦腔成熟的板腔变化音乐体制,及民间小戏逆向发展的音乐体制演变路径,较为清晰地勾画出中国戏曲音乐向现代转化的发展轨迹。
[Abstract]:One of the important results of the "flower-elegance dispute" in the drama world of the Qing Dynasty was that the system of Chinese opera music changed from "qu-Pai" to "plate-cavity structure", and the opera music completed the transition and transition of the two major music styles. As a result, Chinese opera has entered the course of modernization. In the course of this transformation, the traditional north-south music includes the music system of the change of the board cavity, the song card with the transition mark in the Qing Dynasty, the system of the board cavity and the mature music system of the Qin cavity in the Qing Dynasty, and the music system of the Qing Dynasty and the Qing Dynasty. And folk drama reverse development of music system evolution path, more clearly delineated the transformation of Chinese opera music to modern development track.
【作者单位】： 武汉大学艺术学系;
【分类号】：J617
[Abstract]:One of the important results of the "flower-elegance dispute" in the drama world of the Qing Dynasty was that the system of Chinese opera music changed from "qu-Pai" to "plate-cavity structure", and the opera music completed the transition and transition of the two major music styles. As a result, Chinese opera has entered the course of modernization. In the course of this transformation, the traditional north-south music includes the music system of the change of the board cavity, the song card with the transition mark in the Qing Dynasty, the system of the board cavity and the mature music system of the Qin cavity in the Qing Dynasty, and the music system of the Qing Dynasty and the Qing Dynasty. And folk drama reverse development of music system evolution path, more clearly delineated the transformation of Chinese opera music to modern development track.
【作者单位】： 武汉大学艺术学系;
【分类号】：J617
【共引文献】
相关期刊论文 前10条
1 崔蕴华;从《聊斋俚曲》中“银纽丝”小曲看明清民歌艺术的发展[J];安徽大学学报(哲学社会科学版);2002年03期
2 任泉香;朱z，
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