柴科夫斯基“悲剧三部曲”中蕴含的悲剧性情感探析
发布时间：2019-07-10 11:02
【摘要】：柴科夫斯基的音乐热忱、真挚，充满感人的抒情性，正如他本人认为的那样：“音乐是纯粹抒情的过程……；音乐是心灵的自白……”。在柴科夫斯基抒情的音乐篇章中，自始至终都渗透着一种审美情感——悲剧性情感。在柴科夫斯基的第四、第五、第六交响曲中，这种情感表现得尤为突出。因此，后人也称这后三部交响曲为“悲剧三部曲”。 本文的写作将以这种情感为主要研究对象，丛柴科夫斯基本人的性格等方面入手，借助于一些其它学科，如弗洛伊德的精神分析学的相关理论，论述其本性中存在的这种悲剧性情结。同时论述致使这种悲剧性情结产生的其他相关辅助因素，如社会因素、家庭因素、女性因素等。同时，分析中还包括大量的音乐本体分析，，从对音乐本体的分析中去寻找这种悲剧性情感的具体体现，从旋律、配器、复调等分支中去寻找论据，证明论点。通过运用哲学、美学、心理学等知识理论，来研究柴科夫斯基“悲剧三部曲”中蕴含的悲剧性情感因素。这种交叉学科的研究，将会给研究带来新的生长点，希望通过这类研究，从一个更新、更高、更全面的角度来看待柴科夫斯基“悲剧三部曲”中的悲剧性情感。 “正文”分三部分：一、“柴科夫斯基‘悲剧三部曲’的悲剧性情感的具体体现”。这是全文的重点，分别就乐曲旋律的抒情戏剧化(包括旋律线条类型和对主题材料的巧妙运用这两个大的方面)、配器、复调等来探究柴科夫斯基“悲剧三部曲”中蕴含的悲剧性情感因素。二、“柴科夫斯基‘悲剧三部曲’中悲剧性情感的来源”。阐述柴科夫斯基生活的那个时代的欧洲政治、经济、文化等情况。三、“柴科夫斯基‘悲剧三部曲’的悲剧性情感的衍展”，探讨柴科夫斯基“悲剧三部曲”中蕴含的悲剧性情感因素在后来的作曲家如拉赫马尼诺夫等俄罗斯作曲家音乐作品中的体现和发展。
[Abstract]:Mr. chaikovsky's music is warm, sincere and emotional, as he himself thinks: the "Music is a pure lyrical process. Music is the self-whitening of the heart.". In the music chapter of the lyrical music of the chaikovsky, a kind of aesthetic feeling _ tragic emotion is permeated all the way. In the fourth, fifth and sixth symphonies of chaikovsky, this kind of emotion is particularly prominent. Therefore, the later generations also called the three symphonies as the "Tragedy trilogy". The writing of this paper will begin with this kind of emotion as the main research object and the character of the group, and then, with the help of some other disciplines, such as Freud's theory of psychoanalysis, this paper discusses its nature. This tragic complex exists, and other relevant auxiliary factors, such as social factors, that have led to such a tragic complex, Family factors, female factors and so on. At the same time, the analysis also includes a lot of analysis of the music body, from the analysis of the music body to find the concrete expression of this tragic emotion, from the branch of the melody, the thought, the complex, etc. To search for arguments and to prove the argument. By using the knowledge theory of philosophy, aesthetics, psychology, and so on, the paper studies the "Tragedy trilogy" of Tchkovski. The study of this cross-discipline will bring new growth points to the study, and it is hoped to see the "Tragic Trilogy" 涓殑鎮插墽鎬ф儏鎰
本文编号：2512559
[Abstract]:Mr. chaikovsky's music is warm, sincere and emotional, as he himself thinks: the "Music is a pure lyrical process. Music is the self-whitening of the heart.". In the music chapter of the lyrical music of the chaikovsky, a kind of aesthetic feeling _ tragic emotion is permeated all the way. In the fourth, fifth and sixth symphonies of chaikovsky, this kind of emotion is particularly prominent. Therefore, the later generations also called the three symphonies as the "Tragedy trilogy". The writing of this paper will begin with this kind of emotion as the main research object and the character of the group, and then, with the help of some other disciplines, such as Freud's theory of psychoanalysis, this paper discusses its nature. This tragic complex exists, and other relevant auxiliary factors, such as social factors, that have led to such a tragic complex, Family factors, female factors and so on. At the same time, the analysis also includes a lot of analysis of the music body, from the analysis of the music body to find the concrete expression of this tragic emotion, from the branch of the melody, the thought, the complex, etc. To search for arguments and to prove the argument. By using the knowledge theory of philosophy, aesthetics, psychology, and so on, the paper studies the "Tragedy trilogy" of Tchkovski. The study of this cross-discipline will bring new growth points to the study, and it is hoped to see the "Tragic Trilogy" 涓殑鎮插墽鎬ф儏鎰
本文编号：2512559
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