乾隆内府书画装潢初探

发布时间：2018-01-15 02:19

本文关键词：乾隆内府书画装潢初探　出处：《故宫博物院院刊》2005年02期 　论文类型：期刊论文

【摘要】：中国古代书画装潢历史悠久,技艺精湛。但是长期以来,这一技艺主要是依靠在实际操作中的口手相传,缺乏文字记载,相关研究也多局限于手法技巧,较少涉及时代风格与艺术特色。由于古书画在屡易其主的过程中往往经历了多次改装,也造成历代装潢基准作品的匮乏和不确定。乾隆内府书画装潢集历代之大成,代表了有清一代的最高水平,而北京故宫博物院相对完整的清宫书画原装潢收藏也为其风格研究提供了条件。本文试图以此为切入点,在系统梳理院藏乾隆内府书画装潢原件的基础上,初步探讨其时代风格与艺术特色,希望能对中国古代书画装潢艺术的进一步研究有所裨益。
[Abstract]:Ancient Chinese calligraphy and painting decoration has a long history and exquisite craftsmanship. But for a long time, this technique is mainly based on the mouth hand in the actual operation, lack of written records, and related research is limited to the techniques. Less involved in the style of the times and artistic characteristics. Because the ancient calligraphy and painting in the process of changing its main often experienced many modifications. It also caused the lack and uncertainty of the standard works of decoration in the past dynasties. The collection of painting and calligraphy of Qianlong Neifu represented the highest level of the Qing Dynasty. Beijing the Palace Museum's relatively complete original painting and calligraphy collection also provides the conditions for the study of its style. This paper attempts to take this as a starting point in the systematic collection of Qianlong Neifu calligraphy and painting decoration on the basis of the original. It is hoped that this study will benefit the further study of the decoration art of ancient Chinese calligraphy and painting.
【作者单位】：故宫博物院古书画部
【分类号】：K879
【正文快照】： 书画装潢又称“装裱”、“装治”、“潢治”、“装褫”、“装池”、“裱褙”等等,是伴随中[1]国书画艺术生发的一种特殊装潢工艺,其轴、卷、册等独特的艺术形式始终是传统纸绢书画表现和欣赏不可分割的组成部分,并与书画的主体内容一起带给观者以艺术的享受。装潢的优劣也直

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