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魏晋南北朝瓷器装饰研究

发布时间:2018-02-26 18:13

  本文关键词: 瓷器 分期 时代特点 历史原因 出处:《山东大学》2010年硕士论文 论文类型:学位论文


【摘要】: 中华文明的悠悠历程中,陶瓷造型与装饰的演变脉络分明,可谓我们民族文化的具体体现,而由陶到瓷更是制作工艺的伟大变革,随着历史的演进其记录了祖先们的思维进步,渗透着历代的审美追求,承载着厚重深远的精神内涵。作为功能性与审美性完美统一的器物,它受到人们的喜爱并得到前人的广泛研究,在众多的研究中对瓷器装饰的探讨可以说是别具一格的角度。 魏晋南北朝时期也被称为“汉唐之间”,是瓷器真正成熟的时期,在瓷器史中起到了承上肩下的作用,对这一时期的瓷器装饰研究不仅能够揭开该时代瓷器装饰的面容,而且对我们把握魏晋时期的装饰理念、审美追求、时代风尚有重要的意义。对装饰演变的分析可以为我们理解特定时期的社会环境历史背景提供-窥之管。 本文主要分为以下几个部分: 第一章导言部分对瓷器装饰研究的相关概念以及当前的相关研究做一详细的阐述,提出当前瓷器装饰研究的相关成果进而归纳出以往研究的缺陷与不足,并在此基础上提出自己的研究方法。 第二章对这一时期瓷器装饰的技术与题材做了详尽的归纳与分析,首先将瓷器装饰技术分为平面装饰与立体装饰,借鉴已发掘实物对其进行了科学合理的整理总结。其次以器物的装饰内容为依据将此时的装饰题材分为几伺类装饰题材、植物类装饰题材、动物类装饰题材、人物及生活场景类装饰题材四大类,并对相关装饰内容进行浅层的阐释与总结。 第三章对魏晋南北朝时期瓷器装饰进行分期研究,本章在类型学分析的基础上按照瓷器装饰题材与技术的相似性,将这一时期的瓷器装饰分为四期:东汉至三国孙吴时期、西晋时期、东晋时期、南北朝时期。分析每个时期装饰题材与装饰风格的变化,总结归纳了每一时期的装饰特点,并对形成时代装饰风格的社会背景与历史原因进行了初步探讨。 第四章从整体上对这一时期的瓷器装饰时代特征进行了清晰明确的归纳总结,并对形成因素进行了宏观的把握,从装饰整体性、固定范式、变形创作三个方面对瓷器装饰的审美特征进行了合理的阐述。 第五章为结语部分。首先概括了本文写作的意义与所得;接着对文章在研究内容与方法以及文章结构方面的缺陷与不足进行了总结,指出尚未解决的问题;最后表明了后续研究的方向。 本论文以美术考古学中的历史研究法与艺术研究法作为方法论,对魏晋时期的瓷器进行全面的整理,在此基础上对瓷器装饰进行类型学分析进而做出合理的分期,得出装饰演变的清晰脉络,并对这一时期的瓷器装饰特征有一个宏观的把握,对这一时期审美风尚的嬗变轨迹以及形成因素进行合理的阐述。
[Abstract]:In the long course of Chinese civilization, the evolution of ceramic modeling and decoration is a clear reflection of our national culture, and from pottery to porcelain is a great change in the production process. With the evolution of history, it records the thought progress of our ancestors. Permeating the past dynasties aesthetic pursuit, carrying a heavy and far-reaching spiritual connotations. As a perfect unity of functionality and aesthetics, it has been loved by people and has been widely studied by the predecessors. In many studies, the study of porcelain decoration can be said to be a unique angle. The period of Wei, Jin, Southern and Northern dynasties, also known as "between Han and Tang dynasties", is the real mature period of porcelain, which plays an important role in the history of porcelain. The study of porcelain decoration in this period can not only uncover the face of porcelain decoration in this era. The analysis of the evolution of decoration can provide us with a peek at the historical background of social environment in a specific period. This paper is divided into the following parts:. The first chapter is the introduction of the concept of porcelain decoration research and the current related research to do a detailed elaboration, put forward the current porcelain decoration research related results, and then summed up the defects and shortcomings of previous studies, And on this basis put forward their own research methods. The second chapter summarizes and analyzes the technology and theme of porcelain decoration in this period. Firstly, the technology of porcelain decoration is divided into plane decoration and stereoscopic decoration. Secondly, based on the decoration content of objects, the decorative themes are divided into several categories of decorative themes, such as plants, animals, animals, etc. There are four categories of decorative themes, such as characters and life scenes, and the related decorative contents are explained and summarized in a shallow way. The third chapter studies the porcelain decoration in Wei, Jin, Southern and Northern dynasties by stages. On the basis of typology analysis, this chapter divides the porcelain decoration of this period into four periods according to the similarity of the themes and techniques of the porcelain decoration: from the Eastern Han Dynasty to the Soon-Wu period of the three Kingdoms. In the Western Jin Dynasty, the Eastern Jin Dynasty, the Southern and Northern dynasties, the decorative theme and style of each period were analyzed, and the decorative characteristics of each period were summarized. At the same time, the social background and historical reasons for the formation of decorative style of the times are preliminarily discussed. Chapter 4th summarizes clearly and clearly the characteristics of the porcelain decoration era in this period, and makes a macroscopic grasp of the forming factors, from the decoration integrity, fixed paradigm, The aesthetic characteristics of porcelain decoration are expounded in three aspects of metamorphosis. Chapter 5th is the conclusion part. Firstly, it summarizes the significance and achievement of this paper, then summarizes the research contents and methods and the defects and shortcomings of the article structure, and points out the unsolved problems. Finally, the direction of follow-up research is indicated. This thesis takes the historical and artistic research methods in the art archaeology as the methodology, carries on the comprehensive arrangement to the porcelain in the Wei and Jin dynasties, on this basis carries on the typology analysis to the porcelain decoration, and then makes the reasonable stage. Draw a clear vein of the evolution of decoration, and this period of porcelain decoration characteristics have a macro grasp, the evolution of this period of aesthetic fashion and the formation of the trace of a reasonable explanation.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:K876.3

【引证文献】

相关硕士学位论文 前1条

1 陈凯;场景下的图像[D];景德镇陶瓷学院;2011年



本文编号:1539085

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