宋代磁州窑白地黑花和晚明景德镇窑青花山水装饰的比较

发布时间：2018-03-01 15:41

  本文关键词： 宋代磁州窑 晚明景德镇窑 审美习尚 陶瓷工艺 山水画 山水装饰　出处：《景德镇陶瓷学院》2009年硕士论文　论文类型：学位论文

【摘要】： 全文共分六个部分论述了宋代磁州窑白地黑花和晚明景德镇窑青花山水装饰风格的形成及转变。从艺术自身发展而言,陶瓷山水装饰从萌芽、发展到成熟与前朝有着一脉相承地关系。社会的政治、经济、文化背景,审美习尚和工艺以及姊妹艺术,尤其是山水画对陶瓷山水装饰的风格形成有着重大的影响。宋代到晚明,时代的变迁、审美习尚和绘画风格的转变,无疑影响了陶瓷山水装饰的风格。陶瓷艺术是工艺美术,离不开必要的技术这一先决条件,工艺的发展也推动着陶瓷山水装饰不断进步。
[Abstract]:The formation and transformation of the text is divided into six parts discusses the Song Dynasty Cizhou kiln black and white and the late Ming Jingdezhen kiln blue and white landscape decoration style. In terms of the development of art ceramics, landscape decoration from bud, development to mature and have close relationship. The former political, economic, cultural background, aesthetic conceptions and technology and art, especially the landscape paintings of ceramic landscape decoration style has great influence. The Song Dynasty to the late Ming Dynasty, the changes of the times, change of aesthetic conceptions and painting style, it will undoubtedly affect the ceramic landscape decoration style. Ceramic art is art, cannot do without the necessary prerequisite the process of development, but also to promote the progress of ceramic landscape decoration.

【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J525.1
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本文编号：1552582