剥去首饰的外衣
发布时间:2018-03-03 18:50
本文选题:剥去 切入点:当代 出处:《中国地质大学(北京)》2015年硕士论文 论文类型:学位论文
【摘要】:随着经济的发展和物质生活的提高,人们开始讲究精致的生活品质以及情感消费体验,这些变化使得人们对珠宝首饰的消费表现出极高的兴趣。然而当今首饰设计和创作的现状正面临着两种情况。一方面,以材料价值为导向的传统商业首饰,材料单一、风格相似,呈现出千篇一律的设计现状,不能满足人们日益提高的内在消费需求;另一方面,受后现代主义影响,艺术家试图用观念创作首饰,大胆运用非传统首饰材料,弱化传统金属工艺的概念,然而这些廉价材料的运用也受到了消费者的质疑。未来的首饰创作应延续传统,还是将观念颠覆重组,面对首饰行业的现状及存在的问题,本论文对此做出以下探讨。首饰文化的演变是伴随人类文明发展的,二者是无法分离的。随着人类文明的发展,首饰扮演的角色和功能也跟着不断地改变。例如,史前文明时期,首饰是古人类对意识懵懂的表达;古文明时期,首饰是宇宙神力和君权德威的象征;封建社会时期,首饰为统治者服务,体现皇权和宗教的意志;资本主义扩张期,首饰成为装饰物,为上层阶级服务,同时又象征了财富和地位...然而,在社会环境和人们的思想日益开化的今天,首饰为了更好的服务当今的社会和大众,其旧有的功能和属性需要革新,打破原有的关系,建立新的首饰文化体系。本文通过对历史中首饰功能演变的整理和分析,寻找首饰生长的源头,了解首饰的发展历史,结合人类社会的文化背景以及艺术运动为首饰带来的影响,充分理解首饰的演变过程以及首饰发展现状的必然性。同时,对当代首饰艺术家的创作观念及作品意义做出分析和整理。探讨观念在首饰创作中的重要性和必要性,分析观念的变革为首饰材料的革新、工艺、造型和佩戴方式带来的影响。通过对当代首饰的分析和总结,剥去传统材料和传统工艺为首饰创作带来的束缚,对当代首饰新的功能属性做出探索,使首饰在泥泞中生出更美的花。
[Abstract]:With the development of economy and the improvement of material life, people begin to pay attention to the exquisite quality of life and emotional consumption experience. These changes have led to a high level of interest in the consumption of jewelry. However, the present situation of jewelry design and creation is facing two situations. On the one hand, traditional commercial jewelry, which is oriented by material value, has a single material. The style is similar, showing the same design status quo, unable to meet the increasing internal consumer demand of people. On the other hand, influenced by postmodernism, artists try to create jewelry with ideas and use non-traditional jewelry materials boldly. Weakening the concept of traditional metal craft, however, the use of these cheap materials has also been questioned by consumers. Should future jewelry creation continue the tradition, or will the concept be subverted and reorganized, facing the present situation and existing problems in the jewelry industry? The evolution of jewelry culture is accompanied by the development of human civilization, the two can not be separated. With the development of human civilization, the role and function of jewelry are constantly changing. For example, In the period of prehistoric civilization, jewelry was the expression of consciousness of ancient people; in ancient civilization, jewelry was the symbol of cosmic power and monarchy; in feudal society, jewelry served the rulers and embodied the will of the emperor and religion. During the expansion of capitalism, jewelry became an ornament that served the upper class, and at the same time symbolized wealth and status. However, in today's increasingly civilized social environment and people's minds, jewelry serves today's society and the masses better. Its old functions and attributes need to be innovated, the original relationship is broken, and a new jewelry culture system is established. Through the arrangement and analysis of the evolution of jewelry function in history, the author finds out the source of jewelry growth and understands the development history of jewelry. Combined with the cultural background of human society and the influence of art movement on jewelry, we can fully understand the evolution of jewelry and the inevitability of jewelry development. This paper analyzes and arranges the creative ideas and the significance of the works of contemporary jewelry artists, probes into the importance and necessity of ideas in jewelry creation, and analyses that the transformation of ideas is the innovation and process of jewelry materials. Through the analysis and summary of the contemporary jewelry, the traditional materials and the traditional craft to the jewelry creation brings the bondage, makes the exploration to the contemporary jewelry new function attribute, Make the jewelry grow more beautiful flowers in the mud.
【学位授予单位】:中国地质大学(北京)
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:TS934.3
【引证文献】
相关会议论文 前1条
1 姜彬;;英国维多利亚时期的首饰艺术风格[A];2013中国珠宝首饰学术交流会论文集[C];2013年
,本文编号:1562258
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