论中国传统吉祥纹样在陶瓷装饰中的应用

发布时间：2018-03-03 18:51

本文选题：传统吉祥图案　切入点：装饰艺术　出处：《景德镇陶瓷学院》2007年硕士论文　论文类型：学位论文

【摘要】： 辉煌灿烂的陶瓷艺术，是人类文明史上一颗璀璨的明珠。中国作为文明古国，陶瓷文化源远流长。中国陶瓷艺术之所以能在世界陶瓷艺术发展史上获得赞誉和高度的评价，是由于其鲜明的艺术特点和民族特色而著称于世的。而中国传统吉祥图案正是以它特有的装饰风格和民族语言，几千年来在陶瓷装饰中广泛应用，是中华民族文化的宝贵财富。它虽历经千年的发展衍变，但并未在变迁中黯然失色，反而愈加有东方民族的特色，，因为中国传统吉祥图案凝聚了中华民族审美的心理历程，它体现着中华民族素质、文化蕴涵与历史面貌。研究中国传统吉祥图案在陶瓷装饰中的应用是为了提供一条让我国陶瓷创作在艺术上保持特色，立足于民族风格的良好途径。本文将从历代中国传统吉祥图案在陶瓷装饰中的发展变化入手，试图在大的文化视野中，对中国传统吉祥图案进行由表及里的深入探讨，通过对历代世俗文化和审美愿望对中国传统吉祥纹样的影响，来弄清中国传统吉祥纹样产生、发展的历史渊源以及发展具有民族风格的我国陶瓷艺术的关键；并结合文献典籍、文学、陶瓷作品等大量的文字、图片资料，举例引证，归纳演绎，从而揭示出中国传统吉祥图案的本质以及传统设计语言对于陶瓷装饰艺术的意义，使我们能从一个独特的视角来认识本应该具有民族风格的中国陶瓷艺术，从而创造出具有民族理性思维和文化性格的陶瓷作品。
[Abstract]:The splendid ceramic art is a bright pearl in the history of human civilization. China, as an ancient civilization, has a long history of ceramic culture. The reason why Chinese ceramic art can be praised and highly appraised in the history of the development of ceramic art in the world. It is famous for its distinctive artistic and national characteristics. Chinese traditional auspicious patterns are widely used in ceramic decoration for thousands of years because of their unique decorative style and national language. It is a precious treasure of the Chinese nation's culture. Although it has undergone a thousand years of development and evolution, it has not been eclipsed by the changes. On the contrary, it has become even more characteristic of the oriental nation, because the Chinese traditional auspicious patterns have condensed the psychological course of the Chinese nation's aesthetic appreciation. It embodies the quality of the Chinese nation, cultural implication and historical outlook. The purpose of studying the application of Chinese traditional auspicious patterns in ceramic decoration is to provide an artistic feature for Chinese ceramic creation. This article will start with the development and change of the Chinese traditional auspicious patterns in the ceramic decoration in the past dynasties, and try to make an in-depth study of the traditional auspicious patterns of China from the outside to the inside in the big cultural vision. Through the influence of secular culture and aesthetic desire on Chinese traditional auspicious patterns, this paper makes clear the historical origin of Chinese traditional auspicious patterns, the historical origin of development and the key to the development of Chinese ceramic art with national style. Literature, ceramic works, and so on a large number of words, pictures, examples cited, inductive deduction, thus revealing the essence of Chinese traditional auspicious patterns and the traditional design language for ceramic decorative art significance, So that we can understand the Chinese ceramic art which should have the national style from a unique angle of view, thus creating ceramic works with national rational thinking and cultural character.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J527

【引证文献】