艺术人类学视野下的吊脚楼建筑景观研究

发布时间：2018-03-07 23:16

本文选题：艺术人类学　切入点：苗寨吊脚楼　出处：《吉首大学学报(社会科学版)》2016年S1期 　论文类型：期刊论文

【摘要】：德夯苗寨吊脚楼建筑景观体现的物质文化形态是湘西苗家人在千百年来生产、生活中,利用自然、改造自然过程中塑造的人文物质景观,既反映了苗家人的传统生态智慧、审美观以及宗教信仰,其"集体记忆认同"是苗族乡土文化传承的载体和民族文化传播的媒介。吊脚楼建筑景观在器用层面上彰显"物美",体现了他与生命之美的对话,用苗家人最熟悉的本土材料和"集体欢腾"表达自我,表达生活,表达心理,表达价值。我们可以透过这些物质形态(吊脚楼建筑景观形态、建筑构件与装饰艺术、吊建筑景观空间演变等)逐步解读出湘西苗族聚落景观的文化本质——文化的深层结构,以期更好的阐释湘西苗族吊脚楼建筑景观和居住文化。
[Abstract]:The material and cultural form embodied in the architectural landscape of the hanging foot building in Dezhang Miao Zhai is the humanistic material landscape created by the Miao family of Xiangxi in the production and life of thousands of years, which reflects the traditional ecological wisdom of the Miao family. Aesthetic and religious beliefs, its "collective memory identity" is the carrier of the transmission of Hmong's native culture and the medium of the dissemination of national culture. The architectural landscape of hanging feet shows the "beauty of things" on the instrumental level, which reflects the dialogue between him and the beauty of life. We can express ourselves, express life, express psychology and express value with the most familiar native materials and "collective jubilant" of Miao family. We can use these material forms (architectural landscape form, architectural component and decorative art). In order to better explain the architectural landscape and residential culture of the Miao nationality in the west of Hunan, the cultural essence of the Miao settlement landscape in the west of Hunan is interpreted step by step, such as the evolution of the landscape of the hanging architecture, the deep structure of the culture, and so on.
【作者单位】：玉林师范学院美术学院;
【基金】：国家社会科学基金项目(13XMZ046)
【分类号】：TU982.29

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