北方少数民族传统服饰造型及装饰艺术

发布时间：2018-03-22 12:44

本文选题：北方少数民族　切入点：传统服饰　出处：《哈尔滨理工大学》2011年硕士论文　论文类型：学位论文

【摘要】：中国是一个多民族国家,绚丽多彩的北方少数民族传统服饰文化是中华文明的重要组成部分,是区别族群的标志,与社会历史文化的发展不可分割。服饰是一个民族一个地区在文明发展史上所形成的特有的劳动成果,地域环境、生产方式、审美情趣,以及风俗文化、宗教信仰,都积淀于服饰之中。北方少数民族大量吸收融合了世界各民族优秀文化,以独特的智慧、高超的技艺创作出品种齐全、自然纯朴的少数民族服饰文化。北方少数民族服饰造型形态多样,种类丰富,内涵深厚,历史悠久,贮存了可贵的知识、情感和科学技术,蕴含着我们古老民族创造和审美最本原的精神。各民族服饰的结构类型、色彩理念、审美情趣、图案寓意等内容,反映了各民族历史发展中形成的蕴含其物质文化和精神文化的传统风尚。北方少数民族服饰造型艺术在漫长的历史长河中发展演变,有着独特审美习惯和传统文化内涵,在历史、文化、工艺美术等方面有着较高的价值。通过了解北方少数民族服饰造型艺术独特的背景、特点、文化内涵和审美意识形态,充分认识到蕴藏在少数民族服饰中的民族历史、文化传统、价值取向、审美情操和精神追求等深层次的寓意。北方少数民族服饰文化正期盼着理论总结、理论概括、理论积累,期盼着传统文化与现代设计的融合与创新。希望通过本文在现代艺术和传统服饰文化相互衔接和共生方面做一些有益的探索。一方面,少数民族传统服饰造型元素可以在吸取现代工艺及设计方法的基础上,焕发出时代的风貌,摸索其创新和发展的方向;另一方面,现代艺术设计可以拓宽设计思路,适度借鉴和应用相应的传统服饰造型素材,体现地域性和民族性。通过对少数民族传统服饰造型在艺术设计中的地位和意义的分析,结合中国现代艺术设计发展概况与存在问题的研究,通过发掘、提炼传统艺术中的精华,运用各民族独特的艺术形式、艺术手法来反映现实生活,使之成为中国现代设计的新活力源泉,让中国的少数民族传统服饰元素在国际舞台上散发出自己独特的魅力。
[Abstract]:China is a multi-ethnic country, and the colorful traditional dress culture of the northern ethnic minorities is an important part of Chinese civilization and a symbol of the difference between ethnic groups. Clothing is the unique labor achievement, regional environment, production mode, aesthetic taste, custom culture, religious belief formed by a nation and a region in the history of civilization development. The minority nationalities in the north absorbed and merged the excellent culture of all nationalities in the world, and created a complete variety and natural simple ethnic dress culture with unique wisdom and superb skill. The costumes of the ethnic minorities in the north have varied shapes, rich varieties, profound connotations, and a long history. They have stored valuable knowledge, emotion, and science and technology. It contains the most original spirit of our ancient nation's creation and aesthetic appreciation. The structure type, color idea, aesthetic taste, pattern implication and so on of each nationality's clothing, It reflects the traditional fashion which contains its material culture and spiritual culture formed in the historical development of various nationalities. The costume and plastic arts of the northern ethnic minorities have developed and evolved in the long history, with unique aesthetic habits and traditional cultural connotations. Through understanding the unique background, characteristics, cultural connotations and aesthetic ideologies of the costume and plastic arts of the northern ethnic minorities, Fully aware of the profound implications of national history, cultural tradition, value orientation, aesthetic sentiment and spiritual pursuit contained in the costumes of ethnic minorities. The northern minority costume culture is looking forward to theoretical summarization, theoretical generalization and theoretical accumulation, Looking forward to the integration of traditional culture and modern design and innovation. It is hoped that through this article we can make some beneficial exploration on the connection and symbiosis between modern art and traditional dress culture. On the one hand, the elements of traditional dress modeling of ethnic minorities can be absorbed on the basis of modern technology and design methods. On the other hand, modern art design can broaden the design ideas, draw lessons from and apply the corresponding traditional dress modeling materials. Through the analysis of the status and significance of traditional costume modeling of ethnic minorities in art design, combined with the research on the development and problems of modern art design in China, Refining the essence of traditional art, using the unique artistic forms and artistic techniques of all nationalities to reflect real life, and making it a new source of vitality for modern Chinese design. Let China's traditional ethnic dress elements on the international stage to emit their own unique charm.
【学位授予单位】：哈尔滨理工大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J523.5

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