清代乾隆时期釉上彩瓷的边纹装饰研究

发布时间：2018-03-22 23:28

本文选题：乾隆　切入点：五彩　出处：《景德镇陶瓷学院》2007年硕士论文　论文类型：学位论文

【摘要】： 中国陶瓷的历史之悠久，饮誉世界，受到了人们的青睐。到康、雍、乾时期，景德镇的瓷业也有了新的发展，特别是釉上彩瓷的迅猛发展，，达到了中国瓷业的又一个高峰。其中康熙朝的釉上五彩，发明了釉上蓝彩和墨彩，突破了明代五彩必须与釉下青花相结合的工艺技术，使五彩瓷的发展趋向完美的阶段；同时，清代创新品种有珐琅彩和粉彩，瓷胎珐琅彩始于康熙朝，是在景泰蓝制作工艺的启发下，在烧制成的瓷胎上再用从海外引进的珐琅彩料绘纹饰，成为当时的主要装饰品种。粉彩则是在珐琅彩和五彩的基础上诞生的，粉彩的出现，为釉上彩绘瓷开拓了又一个崭新的空间。本课题将从清代乾隆景德镇的主要釉上彩即五彩、珐琅彩和粉彩入手，对多姿多彩的釉上彩瓷的边纹装饰进行分析对比和研究。清代特别是乾隆时期的边纹绚丽多彩，变化无穷，积淀丰厚，与主题装饰画面达到了完美的结合。更主要的是，这些丰富多彩的陶瓷边纹还具有一定的意义，或是象征，或是类比，或是寓意，把许多民族民俗文化中的人文意识很好的融会于其中。在色彩上、纹样的构成排列关系上，做到为主题画面服务，对整个画面的烘托、衬托作用，交相辉映，达到完美的效果。
[Abstract]:Chinese ceramics have a long history and enjoy a reputation all over the world. During the period of Kang, Yong and Qian, the porcelain industry in Jingdezhen also made new progress, especially the rapid development of glazed glazed porcelain. It has reached another peak in China's porcelain industry. Among them, the Kangxi Dynasty's multicolored glaze, the invention of the glaze blue and ink colors, broke through the process of combining the five colors of the Ming Dynasty with the underglazed blue and white flowers, which made the development of the multicolored porcelain tend to be perfect; at the same time, The innovative varieties of Qing Dynasty were enamel and pink. The porcelain enamel began in the Kangxi Dynasty. Inspired by the craftsmanship of cloisonne, the porcelain foetus was then painted with enamel imported from overseas. It became the main decorative variety at that time. Pink color was born on the basis of enamel and multicolor. The appearance of pink color opened up another new space for glazed painted porcelain. This subject will start from the main glaze color of Jingdezhen of Qianlong Qianlong in Qing Dynasty, that is, five colors, enamel color and pink color, and analyze and study the edge grain decoration of colorful glaze glazed porcelain. The edge grain of Qing Dynasty, especially the Qianlong period, is brilliant and colorful. The variety is endless, the accumulation is rich, has achieved the perfect union with the theme decoration picture. More importantly, these rich and colorful ceramic fringes also have the certain significance, either symbolizes, or analogy, or the moral, The humanism consciousness in many national folk culture is well integrated into it. In color, the composition and arrangement of pattern, we can serve the theme picture, contrast and contrast the whole picture, and achieve the perfect effect.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：K876.3

【共引文献】