法门寺出土文物装饰纹样的多元文化审视

发布时间：2018-04-16 05:34

  本文选题：法门寺文物 + 装饰纹样　； 参考：《江西社会科学》2010年10期

【摘要】：陕西法门寺地宫出土的文物不但数量大、等级高、品类多,而且器型宏大、造型丰富,多数成组配套,丰富的装饰纹样是其突出特点。唐代工匠用鎏金、錾刻、模冲、彩绘等工艺手法,在这些华贵厚重的器物上做出丰富多样、繁缛、精美的装饰纹样,显示出意蕴深厚的佛教艺术特征、浓郁的中国传统文化特色,体现了中西文化的完美融合。这些造型和装饰纹样,集唐代造型和装饰纹样之大成,是唐代多元化的文化和艺术风格的完美再现。它在不同的场合、以不同的形式,表达着唐人博大的精神情怀和审美情趣,是研究唐文化、佛教文化的珍贵实物依据。
[Abstract]:The cultural relics unearthed from the underground palace of the Famen Temple in Shaanxi Province are not only large in quantity, high in grade, and in many categories, but also of large types and rich shapes, most of which are matched in groups, and the rich decorative patterns are its outstanding characteristics.The artisans of the Tang Dynasty made rich, elaborate and exquisite decorative patterns on these magnificent and heavy objects by means of gilding, chiseling, moulding, painting and other techniques, showing the profound artistic characteristics of Buddhism.Rich Chinese traditional culture features, reflects the perfect integration of Chinese and Western cultures.These shapes and decorative patterns are the perfect representation of the diversified cultural and artistic styles of the Tang Dynasty.On different occasions and in different forms, it expresses the broad spiritual feelings and aesthetic tastes of the Tang people, and is the precious material basis for the study of Tang culture and Buddhist culture.
【作者单位】： 西安博物院业务研究室;
【分类号】：J509.2
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本文编号：1757542