中日传统建筑中的悬鱼装饰艺术比较研究

发布时间：2018-04-17 10:51

本文选题：中国 + 日本　；参考：《重庆大学》2014年硕士论文

【摘要】：作为传统建筑装饰构件，小小的“悬鱼”很少引起专家、学者或研究人员的注意。我国从梁思成开始，对传统建筑的研究成果如云，出版发行了大量的专著、文献，但鲜见将悬鱼看在眼里的人。虽然它在传统建筑中只是一个小小的装饰构件，起不到左右建筑整体构成的作用，但正是有了这些别出心裁、丰富多彩、雕刻精细和构思巧妙的悬鱼装饰，，才使得许多传统建筑显得更加亲切而不媚俗，精美而不奢靡，纯朴而不粗鄙，自然而不做作。传统建筑中的悬鱼装饰构件同风火墙、脊饰、雀替和美人靠等传统建筑符号一样，能够鲜明地体现传统建筑的文化内涵和美学特征。而今，传统建筑中的悬鱼装饰作为地域建筑文化的符号特征之一，已经引起了日本专家的关注并设有专门的研究机构和网站，而在中国建筑史上至今仍未引起足够的重视。文章以中日两国传统建筑中的悬鱼装饰为研究对象，首先综述了传统建筑中悬鱼装饰艺术的国内外研究现状，阐明了本项研究的意义及框架，随后介绍了悬鱼装饰的起源及基本特征，并对两国悬鱼装饰形成的历史文化背景做了简要阐述。以此为研究基础，分别针对中日两国传统建筑中悬鱼装饰的造型艺术和色彩艺术特征进行了比较和归纳，分析整理了两国同源文化背景下传统建筑相同装饰构件的不同发展轨迹及现状，从艺术学的视角出发对两国的悬鱼装饰进行了比较研究。从而指出造成两国传统建筑装饰艺术各具特色的根本，在于艺术形式表象下所渗透的文化及审美素养的差异，且此种差异一直伴随着两国建筑史的发展不断演进，甚至波及当代整个建筑设计领域。而后，对传统建筑装饰在中国的继承与发展做了现状分析，并对悬鱼装饰运用在中国现代建筑设计领域的方法和原则进行了初步探讨，以期有一定的借鉴意义与价值。
[Abstract]:As a traditional architectural decoration, the small "suspended fish" rarely attracted the attention of experts, scholars or researchers.Since Liang Sicheng, China has published a large number of monographs and documents on traditional architecture, but few people have seen the hanging fish in their eyes.Although it is only a small decorative component in the traditional architecture, and does not play the role of the building as a whole, but it is with these ingenious, colorful, fine carving and ingenious design of the suspended fish decoration,So that many traditional buildings appear more friendly and not vulgar, exquisite and not extravagant, simple and not vulgar, natural and not pretentious.As the traditional architectural symbols such as wind and fire walls, ridges, sparrows and beauty, the suspended fish decorative components in the traditional architecture can reflect the cultural connotation and aesthetic characteristics of the traditional architecture.Nowadays, as one of the symbolic features of the regional architecture culture, the traditional architecture has attracted the attention of Japanese experts and set up special research institutions and websites, but it has not been paid enough attention to in the history of Chinese architecture.This paper takes the suspended fish decoration in the traditional architecture of China and Japan as the research object. Firstly, the paper summarizes the domestic and international research status of the suspended fish decoration art in the traditional architecture, and expounds the significance and framework of this research.Then the origin and basic characteristics of suspended fish decoration were introduced, and the historical and cultural background of the formation of suspended fish decoration in the two countries were briefly described.On the basis of this research, the characteristics of plastic art and color art of suspended fish decoration in Chinese and Japanese traditional buildings are compared and summarized respectively.This paper analyzes the different development paths and present situation of the same decorative components of traditional buildings under the background of the homologous culture of the two countries, and makes a comparative study of the suspended fish decoration in the two countries from the perspective of art.It is pointed out that the root of the two countries' traditional architectural decorative art is the cultural and aesthetic differences permeated by the artistic form, and this difference has been accompanied by the development and evolution of the architectural history of the two countries.Even spread to contemporary whole architectural design domain.Then, the present situation of inheritance and development of traditional architectural decoration in China is analyzed, and the methods and principles of the application of suspended fish decoration in the field of modern architectural design in China are discussed preliminarily, in order to have certain reference significance and value.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU238

【参考文献】