战国及秦汉时期漆器装饰艺术设计研究

发布时间：2018-04-20 16:46

  本文选题：漆器 + 装饰　； 参考：《西北民族大学》2010年硕士论文

【摘要】：漆器工艺是华夏民族在古代世界文化史上重要的发明创造,是人类文明进化过程中的一大成果。尤其是战国时期是我国漆器艺术发展史上的第一个繁盛时期,其产量之多,工艺之精,品种之繁,样式之新,色之绚丽都是前所未有的,在同时代的诸多工艺门类中,漆器髹饰工艺独领风骚。有人称这一时期为“漆器时代”。秦汉时期,漆器艺术进一步发展,呈现出前所未有的繁盛局面,中国漆器艺术达到了一个巅峰时期。 中国古代的装饰艺术极为丰富,无论是与其相辅相成的器物、工具,还是在材质、工艺、样式及风格的类型及特点上,都是及其多姿多彩。漆器工艺是中国先民的伟大发明其装饰技法大致有彩绘、剔划、针刻、浮雕、镂雕、堆塑、镶嵌、鎏金、描金、贴金、螺钿、沥粉、线描等。可见装饰之美和对装饰的研究也是不能离开装饰艺术的工艺和材质等方面的,它们是装饰之形式,技术和审美观念之整体的一个重要组成部分。人类的审美意志和智慧恰是整体性地体现在装饰艺术中的,也正是如此,装饰艺术设计才呈现出如此丰厚的文化内涵和绚丽多姿的艺术魅力。中国传统漆器装饰艺术设计的题材纹样更是丰富精彩,对中国传统装饰艺术的研究,不能离开传统漆器装饰艺术设计,尤其是代表着中国漆器艺术黄金时代的战国、秦汉时期的漆器装饰艺术。 通过借助正确认知事物的观念和科学的研究方法,分析战国及秦汉时期漆器装饰艺术设计的美学内涵、文化意识、思维方式,并客观分析传统装漆器饰艺术设计理论的现实价值及意义。旨在通过对古代优秀的漆器装饰艺术设计理念的分析,把握中国传统装饰艺术设计的文化内核。
[Abstract]:Lacquer craft is an important invention and creation of Chinese nationality in the history of ancient world culture. It is also a great achievement in the evolution of human civilization. In particular, the warring States period was the first prosperous period in the history of the development of lacquer art in China. It was unprecedented in the production of lacquer ware, the fine workmanship, the multiplicity of varieties, the new styles and the brilliant colors. Lacquer lacquer lacquer painting technology alone. Some people call this period the "lacquer age". During the Qin and Han dynasties, lacquer art developed further, showing unprecedented prosperity, and Chinese lacquer art reached a peak. Ancient Chinese decorative art is extremely rich, whether it is complementary objects, tools, or in material, craft, style and style types and characteristics, are very colorful. Lacquerware technology is a great invention of Chinese ancestors its decorative techniques are roughly color painting, tick, needle, relief, engraving, stacking, mosaic, gilding, gold, gold, mother-of-pearl, leachate, line drawing, and so on. It can be seen that the beauty of decoration and the study of decoration can not be separated from the process and material of decorative art. They are an important part of the form, technology and aesthetic concept of decoration. The aesthetic will and wisdom of human beings are embodied in the decorative art as a whole, and it is precisely so that the decorative art design presents such rich cultural connotations and gorgeous artistic charm. The theme patterns of Chinese traditional lacquer decoration art design are rich and wonderful. The study of Chinese traditional decorative art can not leave the traditional lacquer decoration art design, especially the warring States period, which represents the golden age of Chinese lacquer art. The Art of lacquer Decoration in Qin and Han dynasties. By means of the correct concept of cognition and scientific research method, this paper analyzes the aesthetic connotation, cultural consciousness and mode of thinking of the decorative art design of lacquer ware in the warring States period and the Qin and Han dynasties. And objectively analyzes the realistic value and significance of the traditional lacquer decoration art design theory. The purpose of this paper is to grasp the cultural core of Chinese traditional decorative art design by analyzing the design idea of ancient lacquer ware decoration art.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J509.2

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本文编号：1778634