河南社旗山陕会馆建筑装饰艺术研究

发布时间：2018-04-24 13:10

本文选题：社旗山陕会馆 + 建筑装饰艺术　；参考：《苏州大学》2007年硕士论文

【摘要】： 建筑遗产是“人类记忆”的重要部分,并且,建筑是一切艺术的载体,它承载了建筑装饰艺术,所以研究建筑艺术而不了解建筑装饰,那么这种研究则是不全面的。过去对传统建筑装饰的研究多偏重于宫廷建筑,而往往忽视了民间建筑,其实,民间建筑装饰艺术是极其丰富且范围非常广泛。在豫西南的社旗古镇上,保存着一处目前全国范围内罕见的较为完整的清代商业会馆——社旗山陕会馆。它是国家重点文物保护单位。其建筑集中了河南、山西两省民居和宫殿建筑艺术的精华,富丽堂皇、雍容华贵、风格独特。其建筑装饰艺术极其精美,特别是馆内“三绝”——众多精美的石雕、木雕、砖雕是清代民间建筑艺术与建筑装饰艺术的精品,建筑装饰华丽壮观,注重全方位、立体式、多视角的艺术效果。其屋顶琉璃装饰、照壁装饰及建筑群整体的色彩搭配极其科学且富于中国传统观念,具有深厚的文化内涵。社旗山陕会馆是我国古代民间建筑装饰艺术中一个弥足珍贵的文化遗产。它的建筑设计和装饰风格显示了民间建筑与宫廷建筑的差异性,同时也对宫廷建筑装饰艺术加以吸取,呈现出其风格的独特性,突出了山陕商人的经营理念,也涵盖了传统文化的哲理,是当时儒、佛、道哲学理念相互融合的典型代表,在建筑装饰设计中处处带有清晰的清代儒商意识形态的印记。目前,随着全球经济一体化进程的加速,如何保持自己民族文化的个性,是世界各国都关心的重要问题。因为文化遗产是各民族用自己的双手和心灵创造的,它是民族性格的一种直接表现,是民族情感、民族凝聚力的一个缩影。本文分析、研究社旗山陕会馆建筑装饰艺术,旨在从理论上揭示传统文化的精髓,使我们对中国古代民间建筑装饰艺术的认识更加深入,以加强对文化遗产的保护意识。因为,“只有民族的才是世界的”。社旗山陕会馆建筑装饰艺术是一种具有个性的文化现象,它丰富的人文内涵、深厚的文化积淀以及高超的工艺技巧都有值得我们发掘和探寻的价值。开启社旗山陕会馆建筑装饰艺术研究的意义还在于,通过对社旗山陕会馆建筑装饰的研究,探讨它的工艺文化特征和设计艺术美学思想,从我国古代传统装饰艺术入手,深入到传统图形的精神领域内部进行领悟,再在现代西方设计思潮的基础上,兼收并蓄,融会贯通,设计出属于我们民族的同时又是世界的设计作品。也许在保留传统发展现代设计的进程中,这样不但可以更好的保护我们的传统的艺术形式,还可以为现代设计艺术增添民族性的设计语言。
[Abstract]:Architectural heritage is an important part of "human memory", and architecture is the carrier of all art, it bears architectural decorative art, so it is not comprehensive to study architectural art without knowing architectural decoration. In the past, the study of traditional architectural decoration focused on the palace architecture, but often ignored the folk architecture. In fact, the folk architecture decoration art is extremely rich and very extensive. In the ancient town of social flag in southwestern Henan province, there is a relatively complete Qing Dynasty Commercial Guild Hall-Shan Shan Guild Hall, which is rare in the whole country at present. It is the state key cultural relics protection units. Its architecture concentrated in Henan, Shanxi Province residential and palace architectural art essence, magnificent, elegant, unique style. Its architectural decoration art is extremely exquisite, especially in the museum "three absolutely"-numerous exquisite stone carving, wood carving, brick carving is the Qing Dynasty folk architectural art and architectural decoration art, magnificent architectural decoration, pay attention to all aspects, three-dimensional, The artistic effect of multiple perspectives. Its roof glaze decoration, wall decoration and the overall color collocation of the building group are extremely scientific and abound in Chinese traditional ideas, and have profound cultural connotations. Shanshan Guild Hall is a precious cultural heritage in the decorative art of ancient folk architecture in China. Its architectural design and decoration style show the difference between folk architecture and court architecture. At the same time, it absorbs the decorative art of court architecture, presents its unique style, and highlights the business philosophy of Shan and Shan merchants. It also covers the philosophy of traditional culture, which is a typical representative of the integration of Confucianism, Buddhism and Taoism philosophy at that time. In architectural decoration design, there is a clear ideological mark of Confucian merchants in Qing Dynasty. At present, with the acceleration of the process of global economic integration, how to maintain the individuality of national culture is an important issue concerned by all countries in the world. Because the cultural heritage is created by each nationality with its own hands and soul, it is a direct expression of national character and a microcosm of national emotion and national cohesion. The purpose of this paper is to reveal the essence of traditional culture in order to deepen our understanding of the decorative art of ancient Chinese folk architecture in order to strengthen the sense of protection of cultural heritage in order to study the architectural decoration art of Shanshan Guild Hall of the social flag in order to reveal the essence of traditional culture theoretically. Because, "only the nation is the world." The architectural decoration art of Shanshan Guild Hall is a kind of cultural phenomenon with individual character. Its rich humanistic connotation, profound cultural accumulation and superb craft skill have the value that we should explore and explore. The significance of the research on architectural decoration art of Shanshan Guild Hall is that, through the study of architectural decoration of Shanshan Guild Hall of Sheqi County, this paper probes into the characteristics of craft culture and aesthetic thought of design art, starting with the traditional decorative art of ancient China. Deep into the spiritual field of traditional graphics to understand, and then on the basis of modern Western design trend of thought, eclectic, integrated, designed to belong to our nation at the same time is the world's design works. Perhaps in the process of retaining the traditional development of modern design, this can not only better protect our traditional art form, but also can add national design language for modern design art.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：TU-80;TU238

【引证文献】