陈楚故地民间美术的遗存与装饰风格研究

发布时间：2018-04-29 22:29

本文选题：民间美术 + 泥泥狗　；参考：《淮北师范大学》2011年硕士论文

【摘要】：位于河南省东南部的淮阳县曾经为陈楚故地的中心区域,较为完整地保存与流传着多种民间美术,且地域本原特征较为明显。笔者就陈楚故地民间美术的代表--淮阳泥泥狗和沈丘顾家花馍进行了较为系统和多方面研究,通过这“南白北炓”的经典遗存,结合具有地域图式特征、装饰风格和审美意蕴,对陈楚故地民间美术进行梳理和探究,把陈楚故地民间美术本原的诡秘、深沉、质朴、简洁、吉庆、超然物外的装饰风格运用于当代艺术设计,丰富到高校美术教育的课堂,带动更多的人去关注地域民间美术的遗存。陈楚故地的民间美术在历史演变、工艺传承和发展中,虽然使用的工具有了改良,但其制作工艺、装饰风格始终保持着本原特征,造型、色彩、制作通过不断积聚而浓缩成一种地域特征明显、装饰风格突出的审美意趣。它不但丰富了地方民间美术的艺术语言,而且以独具特色的艺术形式,营造出一种浓郁的本土装饰风格。近年来其传承和发展的主要原因是需求量的增大,由于科技的发展人们生活节奏的加快,现在社会的机械、理性、乏味,使得人与人交往的目的性增强,人情味淡薄;人们更渴望纯朴的、率真的、充满人情味的艺术和人际关系,因此充满着生命意义、神秘、率真、质朴而有情趣的泥泥狗、顾家花馍、布老虎等随着交通条件的改善,旅游业的发展越来越受到人们的关注,凝聚着创作者真挚感情的民间美术精灵自然地成为了艺术家和大众所共同追求的审美目标。陈楚故地的民间艺人们用最易得到的材料,直觉的表达着对生活的渴望、对神灵的崇拜。无论是泥泥狗、顾家花馍、还是布老虎、糖画都,在艺术的长河中不仅没有被消亡,而且随着时代的发展仍保持着其传承延续的空间。曾经是孩子手中玩物的精灵,如今远远地超出了它本身的价值,作为“文物”被列入非物质文化遗产。它们同时也表达着陈楚故地的人们对繁衍后代、祈福、纳祥的期盼,从而展现着质朴且浓郁的人情味和单纯性、随意性、意象性的地域装饰风格。
[Abstract]:Huaiyang County, located in the southeast of Henan Province, was once the central area of Chen Chu's native land. It has more complete preservation and spread of a variety of folk arts, and the original characteristics of the region are obvious. The author makes a systematic and multi-aspect study on the representative of Chen Chu's native folk art-Huai Yang mud dog and Shen Qiu Gu Jia Hua bun. Through the classic relics of "Southern Bai Bei", combined with the characteristics of regional schemata, decoration style and aesthetic implication, Combing and exploring the folk art of Chen Chu's native place, applying the original decorative style of Chen Chu's native folk art to contemporary art design and enriching the classroom of art education in colleges and universities, the decorative style of Chen Chu's native folk art is used in the classroom of art education in colleges and universities, which is mysterious, deep, simple, concise, auspicious and detached. Drive more people to pay attention to the remains of regional folk art. In the historical evolution, craft inheritance and development of Chen Chu's native folk art, although the tools used have been improved, its production process and decorative style have always maintained its original features, shapes and colors. Production through continuous accumulation and condensed into a regional characteristics obvious, decorative style outstanding aesthetic interest. It not only enriches the artistic language of local folk art, but also creates a strong local decorative style with its unique artistic form. In recent years, the main reason of its inheritance and development is the increase of demand. With the development of science and technology, people's life rhythm is quickening, and now the society is mechanical, rational and boring, which makes the purpose of communication between people become stronger and the human feeling is weak. People are more eager for simple, frank and human art and interpersonal relationships, so full of life meaning, mystery, frankness, simple and interesting mud dog, gu Jia-hua bun, cloth tiger and so on, with the improvement of traffic conditions. People pay more and more attention to the development of tourism, and folk art elves, which condense the sincere feelings of the creators, have naturally become the aesthetic goals pursued by both artists and the public. Chen Chu's native folk artists intuitively express their desire for life and worship of gods with the most readily available materials. No matter the mud dog, gu Jia Hua bun, cloth tiger, sugar painting, not only in the long river of art is not dead, but also with the development of the times to maintain its continuation of space. The elves, who used to be children's playthings, now far beyond their own value, are listed as "relics" as intangible cultural heritage. At the same time, they also express the people's expectation of breeding, praying and accepting auspicious, thus showing the simple and rich human feeling and simple, random and imagical regional decoration style.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J205;J525

【引证文献】