清代人物装饰结子形态与纹样研究

发布时间：2018-04-29 20:21

本文选题：清代结子装饰 + 人物纹样　；参考：《东北林业大学》2013年硕士论文

【摘要】：结子装饰部件作为清代部件装饰的点睛之笔,是清代装饰部件研究中不可缺少的一部分,本文是从清代人物装饰结子的基本形态和纹样特征两个方面对清代人物装饰结子展开较为系统深入的研究。本研究一定程度上完善了清代装饰部件研究的理论体系,可为清代人物装饰部件的修复和现代仿古家具部位装饰的应用提供依据。对清代人物装饰结子基本形态的研究,采用个案分析法和归纳法,通过分析外部轮廓形态的形态样式,归纳出外部轮廓形态的形态特征；通过分析内部纹样形态的形态样式,归纳出内部纹样形态的形态特征,从而得出清代人物装饰结子的基本形态规律。研究表明：外部轮廓形态中四边形类和近似四边形类结子视觉识别力高,造型静态,多填补较规则装饰空缺,特殊形态类和轮廓形态类结子形制复杂,造型动态,多填补较不规则装饰空缺：内部纹样形态中单人纹样内部形态人物为主体,层次感弱,人物通常居中分布,双人纹样内部形态人物之间主辅明确,层次感强,人物通常并列叠加分布,多人纹样内部形态人物之间主辅不鲜明,层次感强,人物通常奇偶聚散分布对清代人物装饰结子纹样特征的研究,采用个案分析法和归纳法,通过分析神仙人物纹样、戏曲人物纹样以及民俗人物纹样的形态样式,归纳出三者的纹样特征,从而得出清代人物装饰结子的纹样特征规律。研究表明：神仙人物纹样中,人物表情庄重,身形匀称常有配对呼应关系,衣着宽大,装饰质朴,褶皱疏密有度,人物多为静态表现,主体表达主要通过不同仙人形象所持的特殊物件：戏曲人物纹样中,人物表情符合角色特征,面部无明显脸谱特征,衣着适合身形,通常装饰繁琐,具戏曲服饰特征,多为戏曲故事情节的展现产生相应动势,主体表达主要通过人物形象身材及服饰装扮的设定民俗人物纹样中,人物表情欢愉,面部刻画粗糙,衣着生活化,装饰朴素,褶皱淡化,同纹样中常出现动静相依的动势表现关系,场面感强,主体表达主要通过常见的民俗生活用具的刻画及生活化的人物形象的设定。
[Abstract]:As the finishing touch of the decoration of the Qing Dynasty, the Jiaozi decorative part is an indispensable part of the research on the decorative parts in the Qing Dynasty. This paper makes a systematic and in-depth study on the decorative knot of the Qing Dynasty from two aspects: the basic form and the pattern characteristics of the decorative knot of the characters in the Qing Dynasty. To a certain extent, this study has perfected the theoretical system of the research on the decorative parts of Qing Dynasty, which can provide the basis for the restoration of the decorative parts of the figures in the Qing Dynasty and the application of the decorative parts of the modern antique furniture. Based on the study of the basic shape of decorative knot in Qing Dynasty, the paper adopts case analysis and induction, through analyzing the morphological style of external contour, induces the morphological characteristics of external contour, and analyzes the morphological style of internal pattern. The morphological characteristics of internal patterns were summarized, and the basic morphological rules of decorative knot in Qing Dynasty were obtained. The results show that: the visual recognition ability of quadrilateral and approximate quadrilateral cubes is high, the modeling is static, more regular decorative vacancies are filled, the shape of special shape and contour shape is complex, and the shape is dynamic. Fill in more irregular decorative vacancies: in the internal pattern form single pattern internal shape characters as the main body, the level feeling is weak, the character usually distributes in the center, the double pattern interior shape figure between the main and auxiliary is clear, the stratification feeling is strong, The characters are usually juxtaposed and distributed, the main and auxiliary characters are not distinct, the sense of hierarchy is strong, and the distribution of characters is usually odd and even. In this paper, the characters of decorative knots in Qing Dynasty are studied. By using the method of case analysis and induction, by analyzing the patterns of immortals, opera characters and folk characters, we can conclude the patterns of the three patterns. Thus, the pattern characteristics of decorative knot in Qing Dynasty were obtained. The research shows that in the patterns of immortals, the characters have a solemn expression, and the figure is well-proportioned with a matching relationship. They are dressed in large clothes, simple in decoration, dense and dense in folds, and most of the characters are static. The expression of the subject is mainly through the special objects held by different immortals: in the patterns of the characters of the opera, the expression of the characters accords with the character characteristics, the facial features have no obvious facial features, the clothes are suitable for the body shape, usually the decoration is cumbersome, and they have the characteristics of the costumes of the opera. The main expression of the main body mainly through the figure figure and dress dress in the setting folk character pattern, the character expression is happy, the facial depiction is rough, the clothing life, the decoration simple, the main body expression mainly through the character figure figure and the clothing dress setting folk custom character pattern, the facial expression is rough, the clothing life is suitable, the decoration simple, Fold desalination, dynamic and dynamic relations often appear in the pattern, the sense of scene is strong, the main body expression is mainly through the common folk life utensils of depiction and the setting of the living character image.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J522

【参考文献】