陕北汉画像石装饰艺术研究

发布时间：2018-05-26 15:15

本文选题：陕北 + 汉画像石　；参考：《西北大学》2009年硕士论文

【摘要】： 汉画像石是融合绘画与雕刻为一体的造型艺术,其作为我国古代一种主要服务于丧葬礼俗的独特的艺术形式,具有浓郁的民族色彩和时代特征。画像石大多嵌饰于墓室及其附属的地面上的祠堂、墓阙等建筑之上,它们既是组成这些墓葬建筑物的构建,又是配饰其表面上的刻画装饰。因此,除了成型技术和整体艺术形态上有自身的特点外,汉画像石的装饰性是其最为显著特点之一。近年来,国内对汉画像石的研究方兴未艾,硕果累累。但较之山东、河南等地的其他汉画像石的主要出土地而言,对陕北的汉画像石的研究就显得相当薄弱。目前可见的一些研究成果,往往多侧重于考古学的角度,对陕北汉画像石的艺术价值和美学特征涉及较少,更缺乏系统性和全面性。本论文试图运用艺术学、人类文化学、文献考释与美术考古等跨学科相结合的研究方法,运用图文兼顾的形式,通过对陕北地区汉画像石的造型、构图等视觉文化内容进行综合考察与研究,试图较为全面地展示陕北汉画像石的装饰风格和艺术价值。在风格研究中得出了:讲究对称与规整以突出画面的均衡性、注重画面塑造的块面感与边饰的搭配以突出画面的视觉冲击效果、注重多种肌理效果组合成饱满充实的画面以突出其表现力、兼顾写实和夸张以突出画面的生活情调等结论。论文还尝试发掘陕北汉画像石所蕴含的文化内涵,把握汉画像石艺术与人的信念、理想之间的关系,并厘清这种汉代特有的艺术形式与汉代文化的关系。探究陕北汉画像石在内容上对传统人文精神与人格理想的追寻,在表现手法上不拘一格的创新,在审美品格与意蕴的凝练上对单纯质朴的追求等艺术特征,阐释了其对此后中国的绘画、雕刻艺术发展提供的有益的启示,以及对中国古代文明的传承和民间美术发展的价值所在。
[Abstract]:The figure stone of Han painting is a plastic art which integrates painting and sculpture. It is a unique art form in ancient China which mainly serves funeral customs and funeral customs. It has a strong national color and characteristics of the times. Most of the portraits are embedded in the tomb and its ancillary ancestral ancestral ancestral ancestral temples, such as the tombs and so on. They are composed of these tombs. The construction of a building is a portrayal and decoration on its surface. Therefore, in addition to its own characteristics in the forming technology and the whole art form, the ornament of the stone in Han painting is one of its most notable features.
In recent years, the study of Chinese portrait stone is in the ascendant and fruitful in China. But compared with other Han paintings in Shandong, Henan and other places, the study of the Han painting stone is very weak. Some of the research results now visible are often focused on the archaeological point of view and the artistic price of the Han painting stone in Northern Shaanxi. This paper tries to use art science, human culture, literature interpretation and art archaeology and other interdisciplinary research methods. This paper makes a comprehensive investigation and Research on the visual culture content of the Han painting stone in the north of Shaanxi Province. In the study of style, it tries to show the decorative style and artistic value of the Han painting stone in Northern Shaanxi. In the study of style, it is concluded that symmetry and regulation are paid attention to the balance of the picture, and the collocation of block surface and edge is emphasized to highlight the visual impact of the picture, and the effect of multiple texture is combined into full and full picture. The conclusion is that we should express its expressive power and give consideration to realism and exaggeration to highlight the emotional life of the picture.
The thesis also tries to explore the cultural connotation of the Han Dynasty portrait stone in Northern Shaanxi, grasp the relationship between Chinese portrait stone art and human belief and ideal, and clarify the relationship between the unique artistic form of the Han Dynasty and the culture of the Han Dynasty. The innovation, in the aesthetic character and connotation of the simple and simple pursuit of artistic features, explains the useful enlightenment to the future of Chinese painting, the development of sculpture art, as well as the heritage of Chinese ancient civilization and the value of the development of folk art.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K879.4

【引证文献】