河南济源阳台宫的装饰纹样风格研究

发布时间：2018-06-10 19:32

本文选题：阳台宫 + 装饰纹样　；参考：《陕西师范大学》2009年硕士论文

【摘要】： 地处河南济源的阳台宫是一座道教宫观,其中的三清大殿是河南省仅存的明代单檐歇山式木结构殿堂建筑,在建筑领域有着很重要的历史价值,其中现存的艺术品被看作是明代艺术珍品。但是,由于战乱、地域偏僻等历史地理原因,目前人们对于阳台宫在装饰艺术领域中的研究和探索几乎是一片空白。本文就以阳台宫这一历史文物遗产为基点,以其两大主体建筑三清殿和玉皇阁中多个建筑构件的装饰纹样为主要内容,来分析研究阳台宫的主要装饰风格和艺术特征,以此来印证我国明代工艺美术的特点和发展趋势,总结出我国古代装饰图案风格对现代图案设计的影响,达到弘扬传统民间文化,丰富现代设计语言的目的。本文从内容上主要可以分为四个部分,第一部分是背景知识,分别介绍了阳台宫所处的地理位置、发展历史、现存格局等,第二部分详细的分析了阳台宫装饰纹样的内容来源、形式特征等,第三部分通过对比手法来更清晰的总结出阳台宫装饰纹样的艺术特征以及明代装饰风格特征,最后是结语部分。总体上来看,阳台宫的系列雕刻作品,在题材内容上,形式风格上,以及雕刻技法上都具有浓郁的时代特色和宗教特征,有别于粗浑雄大的秦汉雕刻、丰富华丽的唐宋雕刻,阳台宫的系列雕刻作品反映出了明代雕刻追求写实和神韵相结合的特点,创作过程中不完全刻画出细节而更注重整体意境的表达,给人一种意犹未尽的想象空间。通过对阳台宫系列纹样的分析研究,我们可以看出明代装饰风格呈现出了质朴典雅的特点,没有唐代那么多繁杂的细节装饰,给人一种清新理性的美感,同之前年代的装饰题材相比,明代的装饰更加注重写实纹样的创作,风格更加严谨,符合当时人们更加世俗化的审美意识。
[Abstract]:The balcony palace, which is located in Jiyuan, Henan Province, is a Taoist palace, in which the Sanqing Hall is the only surviving wooden temple building in the Ming Dynasty, which has an important historical value in the field of architecture. Among them, the existing art is regarded as the Ming Dynasty art treasures. However, due to the historical and geographical reasons, such as war, geographical remoteness and so on, the research and exploration of balcony palace in the field of decorative art is almost a blank. Based on the historical heritage of the balcony palace and the decorative patterns of several architectural components in its two main buildings, the third Qing Temple and the Yuhuangge, this paper analyzes and studies the main decorative style and artistic characteristics of the balcony palace. In order to confirm the characteristics and development trend of the arts and crafts in Ming Dynasty, the influence of the ancient decorative pattern style on the modern pattern design was summarized, and the traditional folk culture was carried forward. The purpose of enriching modern design language. This paper can be divided into four parts from the content, the first part is the background knowledge, respectively introduced the balcony palace in the geographical position, the development history, the existing pattern and so on, The second part of the detailed analysis of the balcony palace decorative patterns content sources, formal features, etc. The third part through comparative techniques to more clearly summarize the artistic features of the balcony palace decorative patterns and decorative style characteristics of the Ming Dynasty. The last part is the conclusion. In general, the series of sculptures of the balcony Palace have rich characteristics of the times and religion in terms of their subject matter, style, and techniques, which are different from those of the coarse Qin and Han dynasties and the rich sculptures of the Tang and Song dynasties. The series of sculptures in the balcony palace reflect the combination of realism and verve in the carving of the Ming Dynasty. In the process of creation, they do not completely depict the details and pay more attention to the expression of the whole artistic conception. By analyzing the patterns of the balcony palace series, we can see that the decoration style of the Ming Dynasty has the characteristics of simplicity and elegance, and it is not as complicated as the details of the Tang Dynasty. It gives a fresh and rational sense of beauty. Compared with the decorative themes of the previous era, the decoration of the Ming Dynasty paid more attention to the creation of realistic patterns, and the style was more rigorous, in line with the more secularized aesthetic consciousness of the people at that time.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：TU-86

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