明清晋商民居装饰艺术特征研究

发布时间：2018-06-12 14:26

本文选题：晋商民居 + 建筑　；参考：《山西大学》2012年硕士论文

【摘要】：山西是中华文明的发祥地之一,其传统文化积淀陈厚、内涵丰富。山西人恪守“宅者人之本,人者以宅为家,居若安,即家代昌盛”(《黄帝宅经》)的信条,长久以来对宅居建筑的营造都极为重视,现存明清晋商民居建筑就是这方面物质与精神的现实反映。晋商作为明清十大商帮之首,曾长期执掌中国金融业之牛耳。他们秉承“以末致富,以本守之”的传统观念,在积累了一定的财富后,回归乡里,置地建房。历经几辈人的辛苦努力,大多在故土兴建、修葺了规模可谓宏大的宅院,在中国建筑史上留下了浓重的一笔。山西境内现存明清晋商民居一千余座,这一处处疏密有秩、幽廊回转、雕梁画栋的宅院,其规模、形制、装饰手法、陈设格局,都可谓集南北建筑精华之大成,建筑造型、装饰艺术精美绝伦,是不能再生,无可复制的极具人文和历史价值的物质文化遗产,对现代设计有很好的借鉴与启示作用。设计本是历史的传承与延续,是将旧的东西以新的理念,新的手法与方式重新排列组合,以符合现代人生活方式、审美需求的形式服务于大众。所以现代设计应该立足于本土,以文化为依托,以历史为背景。在现代室内设计中寻求一个准确的契合点,以一种全新的设计视角解读晋商民居建筑装饰艺术形式,推陈出新、善以利用,无疑是对传统物质因素现代形式的极好再现与发掘,在传承历史的同时也会是一种极具文化底蕴、新旧两利的设计风格。既可避免在东西方文化迅速交融的今天迷失方向与自我,同时也是对如何使设计风格更具文脉特征的思考与探索。
[Abstract]:Shanxi is one of the birthplaces of Chinese civilization. Shanxi people adhere to the creed that "the people of the house are the people who live in the house, and the people who live in the house are at home, that is, the family is prosperous on behalf of the family" ("the Yellow Emperor House Classic"). For a long time, they have attached great importance to the building of the residential building. The existing residential buildings of Shanxi merchants in Ming and Qing dynasties are the realistic reflection of material and spirit in this respect. Jin merchants as the Ming and Qing Dynasty top ten business groups, long-term leadership of the Chinese financial industry. They inherited the traditional idea of "getting rich by the end and keeping it", after accumulating certain wealth, they returned to the countryside and built houses on the land. After several generations' hard work, most of them were built in their native land, renovated the huge homestead, and left a heavy sum in the history of Chinese architecture. In Shanxi, there are now more than 1,000 Shanxi merchants' houses in the Ming and Qing dynasties. This house, with its rank everywhere, its verandah turning around and its carved beams and paintings, has its scale, shape, decoration techniques, and furnishing pattern, all of which can be described as a collection of the essence of the north and south architecture, and the architectural modeling. The decorative art is a material and cultural heritage which can not be regenerated and can not be reproduced. It has a good reference and enlightenment to modern design. The design is the inheritance and continuation of history, it is to rearrange and combine the old things with new ideas, new methods and ways, in order to meet the modern way of life, aesthetic needs of the form of service to the public. So modern design should be based on local, cultural, historical background. In the modern interior design, it is undoubtedly an excellent representation and excavation of the traditional material factor modern form to seek an accurate joint point of view, to interpret the decorative art form of the folk houses of Shanxi merchants from a new design angle, to bring forth the old and the new, and to make good use of it. At the same time, it will be a cultural heritage, old and new design style. It can not only avoid losing direction and self in the rapid blending of eastern and western cultures, but also reflect and explore how to make the design style more contextual.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J525.1

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