清三代珐琅彩瓷绘艺术的装饰特征

发布时间：2018-06-13 00:18

本文选题：清三代 + 珐琅彩瓷　；参考：《景德镇陶瓷学院》2011年硕士论文

【摘要】：清三代珐琅彩瓷是我国陶瓷彩绘艺术中的一朵奇葩,是我国陶瓷发展史上不可或缺的一部分。本文对珐琅彩的创烧、兴盛和衰落进行了阐述,以大量实物和文献为研究对象,从装饰题材、技法、艺术表现、风格等方面揭示了清三代珐琅彩瓷绘艺术的主要装饰特征,其中对康熙时期的牡丹纹、莲花纹装饰和色地工艺、雍正时期的花鸟、山水题材装饰和白地画珐琅工艺、乾隆时期的西洋人物、山水人物装饰和砑道工艺等装饰技法进行了深入的研究,并试图分析珐琅彩兴盛和衰落的原因。从而肯定了珐琅彩瓷绘艺术在中国陶瓷发展史上的重要地位,以及对中外文化艺术交流和对粉彩的开创具有深远的影响。为我国传统陶瓷艺术的传承及现代陶瓷艺术的发展和创新提供有益的理论平台。
[Abstract]:The third generation enamel porcelain of Qing Dynasty is a wonderful flower in the art of ceramic painting in our country and an indispensable part in the history of the development of Chinese ceramics. This paper expounds the creation, prosperity and decline of enamel color, taking a large number of objects and documents as the research object, reveals the main decorative features of the enamel painting art of the third generation of Qing Dynasty from the aspects of decoration theme, technique, art expression, style, etc. Among them, the decoration of peony lines, lotus patterns and colored land techniques of Kangxi period, flowers and birds of Yongzheng period, landscape theme decoration and white earth painting enamel craft, Western figures of Qianlong period, The decorative techniques such as landscape decoration and craftsmanship are deeply studied, and the reasons for the rise and decline of enamel color are analyzed. Thus, the important position of enamel porcelain painting in the history of Chinese ceramics development is affirmed, and it has a profound influence on the cultural and artistic exchange between China and foreign countries and on the creation of pink color. It provides a useful theoretical platform for the inheritance of traditional ceramic art and the development and innovation of modern ceramic art.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.3

【参考文献】