黔东南（？）家蜡染装饰图案研究

发布时间：2018-06-23 09:34

本文选题：佯家 + 蜡染装饰图案　；参考：《扬州大学》2011年硕士论文

【摘要】：佯家是我国贵州省黔东南州境内的一个小族群,人口不到五万。在没有民族文字的漫长岁月里,佯家蜡染装饰图案代替了文字语言功能,流露出图象文字化的显著特征,向佯家的子孙后代传授着民族的历史文化、宗教信仰、生产常识和古风遗俗。佯家蜡染特色鲜明、与众不同,它始终坚守的古老工艺及图案中蕴含的文化内涵、生活哲学和美学意蕴,对于少数民族族群以及整个人类社会而言,都是一笔无形的财富。在全球经济一体化的今天,民间传统文化遭受冲击,适时对佯家蜡染装饰图案进行研究不仅具有历史意义,更具有现实意义。为了搜集更为丰富和准确的资料,在课题的研究过程中,笔者远赴贵州省凯里市,对佯家进行实地调查,期间采访了多位资深蜡染制作者,获取了珍贵的图片资料和口述资料；同时,笔者还通过互联网与(?)家当地的民族研究工作者取得了联系,咨询了很多与课题相关的问题。本课题第一章介绍了佯家蜡染的地理环境、历史状况以及它在(?)家审美文化中的地位；第二章浅析(?)家蜡染装饰图案的类型；第三章指出(?)家蜡染装饰图案内蕴深沉,已经远远超出个体经验和情感之域,直接指向人类的原始体验,进而从图像内涵、色彩意蕴、造型特点以及构图规律这四个方面对其艺术性展开深层研究,是整个课题的研究重点；第四章,总结佯家蜡染装饰图案的美学价值、精神价值、民俗价值和开发价值。
[Abstract]:The house is a small ethnic group in Qiandongnan Prefecture, Guizhou Province, with a population of less than 50, 000. In the long years when there was no national character, the batik decorative pattern of the walk-in house replaced the language function of the character, showing the remarkable features of the pictorial writing, and imparting the historical culture and religious belief of the nation to the descendants of the fake family. Common sense of production and customs. The batik is distinctive and distinctive. The ancient craftsmanship and patterns it always holds to contain cultural connotation, philosophy of life and aesthetic implication, are intangible wealth for ethnic minorities and the whole human society. With the globalization of the global economy, the traditional folk culture is under attack, so it is not only of historical significance, but also of practical significance to study the batik decorative patterns in a timely manner. In order to collect more abundant and accurate data, in the course of the research, the author went to Kaili City, Guizhou Province, carried out a field investigation, interviewed many senior batik producers, obtained precious picture materials and oral materials; At the same time, the author also through the Internet and (?) Local ethnic researchers contacted and consulted a number of questions related to the subject. The first chapter of this topic introduces the geographical environment, historical situation and its influence on batik printing. The position of Home Aesthetic Culture; Chapter two: an Analysis of (?) Type of household batik decorative pattern; Chapter 3 points out (?) The interior of the batik decorative pattern is deep, far beyond the realm of individual experience and emotion, pointing directly to the original human experience, and then from the connotation of the image to the meaning of the color. In the fourth chapter, the aesthetic value, spiritual value, folklore value and development value of batik decorative pattern are summarized.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J523.2

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