中国传统装饰菱形纹研究
发布时间：2018-07-22 20:37
【摘要】：菱形纹,它起源于原始人类对具象纹饰的模拟和抽象,其自身又通过不同的组合分化出变化万千的造型。纵观中国的传统装饰艺术,最早被人们广泛应用的是概括简练的几何纹,而菱形纹则是几何纹中极具个性的纹样之一。 菱纹之美不是一般的形式美,它是积淀了社会内容的自然形式,饱含人类对它产生的特定观念和想象,因此才不同于一般的感情、感性、感受,而成为特定的审美情感。在各个历史时代,菱形纹又以其简洁优雅的身姿和独具特色的表现技巧贯穿于整个装饰世界,并且都有着不同的丰富样式,体现出古代先民的审美变迁以及对装饰艺术的思考。从原始社会开始,菱形纹便被大量应用于各种彩陶、岩画装饰中,到后来,其逐渐发展成为重要的纹饰母题。作为一种具有典型意义的纹样,菱形纹以点、线、面组成的菱形为构造单元,通过菱形的变异与组合衍生出奇特的变体菱形和复式菱形,它们共同组成了菱形纹的建构元素。从整体视角分析,菱形纹又包含了对称、均衡、对比、统一、节奏等形式美法则。同时,在不同的时空与文化背景下,人们赋予了菱形纹吉祥美好的寓意,是早期人们渴望生存与发展的图腾崇拜,不但装饰着人们的生活,还承载了古人对繁衍兴盛的内心渴求。 本文将对菱形纹做系统的梳理和论述,将其作为独立的纹样类别进行研究,可以弥补当今对菱纹研究的不足。更为重要的是可以把研究成果运用到实践创作中,为设计提供一种参考和题材,也是对传统文化的继承与创新的体现。在全面检索文献资料的基础上,运用了大量的图形语言和文史资料对菱形纹的起源与流变进行系统的论述,分析这一古老的装饰图案在不同历史文化背景下所呈现出的造型样式,并重点阐述了菱形纹的形式特征和美的范畴,总共涉及到人类学、考古学、美学、图案学、美术史等多学科,希望能拓展人们认识菱形纹的广度与深度,从多角度去探索研究这种独特的视觉艺术。
[Abstract]:Diamond grain, which originated from the simulation and abstraction of figurative ornaments by primitive human beings, has been differentiated into various shapes by different combinations. Throughout China's traditional decorative art, the earliest widely used is the summary of concise geometric patterns, and diamond pattern is one of the most personal patterns in geometric patterns. The beauty of the rhombus grain is not the ordinary formal beauty, it is the natural form that accumulates the social content, full of the special idea and imagination that the mankind produces to it, so it is different from the general emotion, sensibility, feeling, and become the special esthetic emotion. In each historical era, the rhombus pattern runs through the whole decorative world with its simple and elegant posture and unique performance skills, and has different rich styles, which reflects the aesthetic changes of the ancient ancestors and the thinking of the decorative art. From the beginning of primitive society, rhombus was widely used in all kinds of painted pottery, rock painting decoration, and later, it gradually developed into an important motif. As a typical pattern, the rhombic grain takes the rhombus of point, line and surface as the structural unit. Through the variation and combination of the rhombus, a peculiar variation of the rhomboid and a compound rhomboid are derived, which together constitute the elements of the rhomboid. From the overall perspective, rhombus patterns include symmetry, balance, contrast, unity, rhythm and other formal beauty laws. At the same time, in different time and space and cultural background, people have endowed the auspicious and beautiful moral of diamond grain, which is the totem worship that early people longed for survival and development, not only decorating people's life, It also carries the ancients' desire for prosperity. In this paper, the rhombus pattern will be systematically combed and discussed, which can be used as an independent pattern category to make up for the deficiency of the current research on rhombohedral pattern. What is more important is that we can apply the research results to the practical creation and provide a kind of reference and theme for the design. It is also the embodiment of the inheritance and innovation of the traditional culture. Based on the comprehensive retrieval of literature, the origin and evolution of rhombus patterns are systematically discussed by using a large number of graphic language and literary and historical data. This paper analyzes the styling patterns of this ancient decorative pattern in different historical and cultural backgrounds, and focuses on the formal characteristics and the category of beauty of diamond patterns, which involve anthropology, archaeology, aesthetics, and patterning. Art history and other subjects hope to expand people's understanding of the breadth and depth of rhombus patterns and explore this unique visual art from various angles.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：G264.3
本文编号：2138500
[Abstract]:Diamond grain, which originated from the simulation and abstraction of figurative ornaments by primitive human beings, has been differentiated into various shapes by different combinations. Throughout China's traditional decorative art, the earliest widely used is the summary of concise geometric patterns, and diamond pattern is one of the most personal patterns in geometric patterns. The beauty of the rhombus grain is not the ordinary formal beauty, it is the natural form that accumulates the social content, full of the special idea and imagination that the mankind produces to it, so it is different from the general emotion, sensibility, feeling, and become the special esthetic emotion. In each historical era, the rhombus pattern runs through the whole decorative world with its simple and elegant posture and unique performance skills, and has different rich styles, which reflects the aesthetic changes of the ancient ancestors and the thinking of the decorative art. From the beginning of primitive society, rhombus was widely used in all kinds of painted pottery, rock painting decoration, and later, it gradually developed into an important motif. As a typical pattern, the rhombic grain takes the rhombus of point, line and surface as the structural unit. Through the variation and combination of the rhombus, a peculiar variation of the rhomboid and a compound rhomboid are derived, which together constitute the elements of the rhomboid. From the overall perspective, rhombus patterns include symmetry, balance, contrast, unity, rhythm and other formal beauty laws. At the same time, in different time and space and cultural background, people have endowed the auspicious and beautiful moral of diamond grain, which is the totem worship that early people longed for survival and development, not only decorating people's life, It also carries the ancients' desire for prosperity. In this paper, the rhombus pattern will be systematically combed and discussed, which can be used as an independent pattern category to make up for the deficiency of the current research on rhombohedral pattern. What is more important is that we can apply the research results to the practical creation and provide a kind of reference and theme for the design. It is also the embodiment of the inheritance and innovation of the traditional culture. Based on the comprehensive retrieval of literature, the origin and evolution of rhombus patterns are systematically discussed by using a large number of graphic language and literary and historical data. This paper analyzes the styling patterns of this ancient decorative pattern in different historical and cultural backgrounds, and focuses on the formal characteristics and the category of beauty of diamond patterns, which involve anthropology, archaeology, aesthetics, and patterning. Art history and other subjects hope to expand people's understanding of the breadth and depth of rhombus patterns and explore this unique visual art from various angles.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：G264.3
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