黔渝地区苗族、土家族干栏民居装饰对比研究

发布时间：2018-08-12 12:54

【摘要】：建筑是有地域性的,了解当地的传统建筑文化是进行地域建筑设计的敲门砖。传统的民居文化作为中国传统建筑文化的一部分,而装饰又是传统建筑中重要的一个部分,也是民众和传统建筑交流最多、最为直观的部分。因此,研究一个地区或一个民族的传统装饰具有现实意义和理论参考价值,特别是在全国建设社会主义新农村的背景下,如何建设具有当地民族特色的乡土建筑,保护和挖掘当地独特的装饰艺术文化,继承和发扬本地民俗文化和独特的传统装饰艺术是非常重要和关键的。黔渝地区的苗族与土家族民居装饰,具有丰富多彩的表现形式和耐人寻味的文化内涵。本论文以此作为研究对象,从美术学、建筑学、设计艺术学、文化学、民俗学等多个学术视角出发,对苗族、土家族民居的自然环境与人文背景、装饰风格特征、装饰元素特征、装饰文化内涵方面进行对比分析研究,并以实地调查法、采访以及对历史文献资料的查阅、横向联系比较法作为根本的研究方法,对两个民族的民居的装饰进行大量的考察和研究,不仅探讨这两个地区、两个民族装饰形成的各种物质因素和其所内涵的各种文化因素,更重要的是对其基本形态构成、外部装饰构件、室内装饰风格、装饰元素的类型、装饰题材的表现、装饰材料与艺匠等进行对比研究。最后,通过对黔渝地区苗族、土家族干栏民居装饰的对比,分析传统民居装饰在现代环境艺术设计中的发展趋势和应用方法,总结出民居装饰在环境艺术设计中体现出来的地域性、民族性、人文性、个性化的趋势。最后在直接引用、转化应用、意境的沿用、创造性应用四个方面来对传统民居装饰进行创新,结合优秀实例分析论证其可行性。本论文试图探索出苗族与土家族传统民居装饰的传承和发展,同时探究现代环境艺术设计体现民族传统与地域文化内涵的途径。
[Abstract]:Architecture is regional, understanding the local traditional architectural culture is a stepping stone to regional architectural design. As a part of Chinese traditional architectural culture, the decoration is an important part of the traditional architecture, and it is also the most popular and intuitive part of the communication between the people and the traditional architecture. Therefore, it is of practical significance and theoretical reference value to study the traditional decoration of a region or a nation, especially under the background of building a new socialist countryside in the whole country, how to build a local building with local national characteristics, It is very important and key to protect and excavate the local unique decorative art culture, to inherit and develop the local folk culture and the unique traditional decorative art. The decoration of Miao and Tujia houses in Guizhou and Chongqing has rich and colorful forms and interesting cultural connotations. This paper takes this as the research object, from the art, architecture, design art, culture, folklore and other academic perspectives, the Miao, Tujia residential environment and humanistic background, decorative style characteristics, The characteristics of decorative elements and the connotation of decorative culture are compared and studied, and the basic research methods are field investigation, interview, reference to historical documents, and the method of horizontal relation comparison. A large number of investigations and studies have been carried out on the decoration of the houses of the two nationalities. It not only discusses the various material factors and cultural factors formed by the decoration of the two nationalities, but also, more importantly, the composition of their basic forms. The external decorative components, interior decoration styles, types of decorative elements, the performance of decorative themes, decorative materials and artisans were compared. Finally, by comparing the decoration of Miao nationality and Qianlan residence in Guizhou and Chongqing, this paper analyzes the development trend and application method of traditional residence decoration in modern environmental art design. The regional, national, humanistic and individualized trends of residential decoration in environmental art design are summarized. Finally, it innovates the traditional residential decoration in four aspects: direct citation, transformation and application, artistic conception and creative application, and proves its feasibility by combining with excellent examples. This paper attempts to explore the inheritance and development of the decoration of the Miao and Tujia traditional houses, and at the same time to explore the ways of modern environmental art design to reflect the connotation of national tradition and regional culture.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TU241.5;TU238

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