小田溪墓群青铜器装饰纹样研究

发布时间：2018-08-29 18:54

【摘要】：小田溪墓群是巴国贵族墓群之一，对其青铜器纹样的研究可以进一步了解巴国的审美意识，从文化和美学的角度探究巴国历史,凸显其地域性特征。地域特征凸显出本地的文化艺术价值，能真实地反映其文化艺术风貌，从而构成地域性的风格特征，具有较强的研究价值。本文对以往的研究成果进行引用分析，从两个大的方向着手--考古成果以及地域文化研究成果，考古成果能让本文的历史真实性站得住脚，地域文化研究成果能使作者全面地了解地域文化本源与前人的观点态度。对具体例证对象的分析解读，实例的直观性是易读的，通过实例加以说明阐述自己的观点更具有说服力，这是结论的重要支撑之一。首先对巴文化、巴国青铜器、巴国考古遗址进行概述，再对青铜器装饰纹样构成法则、青铜器装饰纹样类别、青铜器装饰纹样的象征性进行了论述，本文的重点为小田溪墓群青铜器装饰纹样分析，分别对小田溪墓群出土的多种青铜器进行了分析研究，通过对这些青铜器纹样的分析也能够在对小田溪的研究中站住脚跟。研究青铜器的纹饰是研究中国古代青铜器最直接的方法，但如何解释它们，是研究青铜器文化的关键所在。接下来对小田溪青铜器装饰纹样艺术风格进行了阐释，古代巴人艺术风格的演变离不开三个方面，一是外来文化的冲击，二是自身文化艺术的发展，三是精神脊梁的根基。最后分析了小田溪青铜器装饰纹样文化内涵，包括与周边文化的交流、差异以及巴人尚武美学的内容，地域性的差别不简单地归结于地理环境的差别，，这是一个巨大的范畴，从社会文化到科学技术，从文学到艺术无不囊括其中，青铜器作为文化传承的一个载体发挥着重要作用，装饰纹样是表象却散发出人文精神，巴人在特定的时间和地点产生了具有独特形式的艺术风格，是小田溪青铜器装饰纹样与文化结合的典范。从青铜器装饰纹样出发来分析巴人美学视角为基础对文化进行研究，美学是历史文化中不可或缺的重要部分，探讨美学也可以说是在探讨文化，美学上的文化印记在历史上看来是呈现出显性的，美学上的相似或差异也正是因为文化上的相似和差异体现出来。
[Abstract]:The tombs of Xiaotian River are one of the tombs of the aristocrats of Pakistan. The study on the patterns of bronze ware can further understand the aesthetic consciousness of Ba, explore the history of Ba from the angle of culture and aesthetics, and highlight its regional characteristics. Regional features highlight the value of local culture and art, can truly reflect their cultural and artistic features, thus forming a regional style characteristics, with strong research value. In this paper, the author quoted and analyzed the previous research results, starting from two major directions-archaeological achievements and regional cultural research results, archaeological results can make the historical authenticity of this article to hold water. The research results of regional culture can make the author understand the origin of regional culture and the attitudes of predecessors. The analysis and interpretation of concrete example object shows that the intuitiveness of example is easy to read, and it is more persuasive to explain one's own point of view through examples, which is one of the important supports of conclusion. First of all, it summarizes the Ba culture, Ba bronze ware, Baguo Kaugu ruins, and then discusses the rules of the composition of bronze decorative patterns, the types of bronze decorative patterns, and the symbolism of bronze decorative patterns. The emphasis of this paper is the analysis of decorative patterns of bronze wares in Xiaotian River tombs, and the analysis and study of many kinds of bronzes unearthed in Xiaotianxi Tombs, through the analysis of the patterns of these bronzes, they can also stand at a foothold in the study of Xiaotian Creek. It is the most direct method to study bronze ware in ancient China, but how to explain them is the key to study bronze ware culture. The evolution of ancient Ba people's art style can not be separated from three aspects, one is the impact of foreign culture, the other is the development of their own culture and art, and the foundation of the spiritual backbone. Finally, it analyzes the cultural connotation of decorative patterns of bronze ware in Xiaotian River, including the communication with the surrounding cultures, the differences and the contents of the martial arts aesthetics of the Ba people. The regional differences are not simply attributed to the differences of geographical environment, which is a huge category. From social culture to science and technology, from literature to art, bronze ware plays an important role as a carrier of cultural heritage. The Ba people produced a unique style of art at a particular time and place, which is a model of the combination of decorative patterns and culture of the bronze ware in Xiaotian River. On the basis of analyzing the perspective of Ba people's aesthetics, aesthetics is an indispensable part of history and culture, and the discussion of aesthetics can be said to be a discussion of culture. The cultural imprint of aesthetics appears dominant in history, and the similarity or difference in aesthetics is also reflected by the cultural similarity and difference.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522

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