吉祥纹样在现代日用陶瓷装饰设计中的形态语义研究
发布时间：2018-08-30 15:26
【摘要】：吉祥纹样作为我国的传统艺术表现形式,在各类器皿载体上的应用广泛。吉祥纹样是中国传统纹样中的重要门类,因其特有的吉祥美好寓意,具有实用性强,流传范围广的特点,深受广大百姓的喜爱。随着机械化生产在现代社会生活中的渗透,工业化的生产模式使现代日用陶瓷的发展越来越快,每天都有成千上万的现代日用陶瓷从生产流水线中流向各大市场。陶瓷自古以来就是吉祥纹样展示和传承的重要载体,陶瓷的视觉语言也离不开吉祥纹样的装饰点缀。现代日用陶瓷市场中不乏吉祥纹样的装饰运用,然而,我们所见的一些日用陶瓷的装饰只是吉祥纹样表现形式的照搬照抄,使产品显的较为刻板,甚至有些吉祥纹样的装饰已经脱离了现代人的审美需求,这说明部分设计师缺乏对吉祥纹样寓意内涵和基本艺术表现形式的了解,导致了其装饰设计的空洞,致使产品主题表达意义模糊。因此,要使吉祥纹样在现代日用陶瓷装饰设计中更好的发挥其合理的装饰意义,作为设计师必须系统的了解中国吉祥纹样的发展演变历程,挖掘其深层次的文化内涵语义和研究其丰富多样的艺术表现外延语义,只有这样才能让吉祥纹样在现代日用陶瓷中的应用更加出彩,才能将我们民族的优秀艺术文化发扬传承。吉祥纹样作为一种视觉形态,有其深厚的形态语义内涵和丰富的形态外延语义表现形式。本文针对吉祥纹样在现代日用陶瓷装饰设计中出现的问题,运用形态语义学的分析方法,从形态符号认知的角度,系统地分析了吉祥纹样在现代日用陶瓷装饰设计中的形态内涵语义和外延语义,这对吉祥纹样在现代日用陶瓷中的装饰运用具有指导意义。随着社会的进步、人们审美水平的提高,吉祥纹样在现代日用陶瓷装饰中的形态语义发生了一定演变,这种演变的实质是吉祥纹样形态语义在现代日用陶瓷装饰设计中精华的传承与创新,这种传承与创新让吉祥纹样在现代日用陶瓷中的装饰运用更加灵活生动、更符合现代人的审美需求。基于上述理论研究分析,结合自身实践调研的案例,论证了这一研究对吉祥纹样在现代日用陶瓷装饰设计中的指导意义。本文只是对吉祥纹样在现代日用陶瓷装饰设计中形态语义的初步探究,今后还会做进一步的深入研究,希望能为吉祥纹样在现代日用陶瓷的装饰设计中提供一定的理论帮助。
[Abstract]:Auspicious patterns, as the traditional art form of our country, are widely used in various vessel carriers. Auspicious pattern is an important category in Chinese traditional pattern, because of its unique auspicious and beautiful moral, it has the characteristics of strong practicability and wide spread, and is loved by the masses of people. With the penetration of mechanized production in modern social life, the industrial production model makes the development of modern daily ceramics more and more rapid. Every day, thousands of modern daily ceramics flow from production line to every market. Ceramics has been an important carrier of auspicious patterns display and inheritance since ancient times, ceramic visual language can not be separated from auspicious patterns decoration embellishment. There is no lack of auspicious decorative patterns in the market of modern domestic ceramics. However, some of the ornaments we have seen are just copying the expression forms of auspicious patterns to make the products more rigid. Even some auspicious patterns of decoration have been divorced from the aesthetic needs of modern people, which shows that some designers lack understanding of the meaning of auspicious patterns and the basic artistic forms of expression, leading to the void of their decorative designs. Causes the product theme to express the meaning to be ambiguous. Therefore, in order to make auspicious patterns better play its reasonable decorative significance in modern daily ceramic decoration design, as designers must systematically understand the development and evolution of auspicious patterns in China. Only in order to make the application of auspicious patterns in modern daily ceramics more brilliant can we develop and inherit our nation's excellent art culture by excavating its deep cultural connotation and studying its rich and diverse artistic expression denotation semantics. As a kind of visual form, auspicious pattern has its profound semantic connotation of morphology and abundant semantic expression form of morphological extension. In this paper, aiming at the problems of auspicious patterns in the design of modern daily ceramic decoration, we use the morphological semantics analysis method, from the perspective of morphological symbol cognition, This paper systematically analyzes the morphological connotation and extension semantics of auspicious patterns in the decoration design of modern domestic ceramics, which is of guiding significance for the decoration and application of auspicious patterns in modern domestic ceramics. With the progress of society and the improvement of people's aesthetic level, the morphology and semantics of auspicious patterns in modern daily ceramic decoration have evolved to a certain extent. The essence of this evolution is the inheritance and innovation of the essence of auspicious patterns and semantics in modern daily ceramic decoration design. This inheritance and innovation makes the decoration of auspicious patterns in modern daily ceramics more flexible and vivid. More in line with the aesthetic needs of modern people. Based on the above theoretical research and case study, this paper demonstrates the guiding significance of this research in the design of modern ceramic decoration. This paper is only a preliminary study of the morphology and semantics of auspicious patterns in the decoration design of modern daily ceramics, and will do further research in the future, hoping to provide certain theoretical help for auspicious patterns in the decoration design of modern daily ceramics.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J527
本文编号：2213492
[Abstract]:Auspicious patterns, as the traditional art form of our country, are widely used in various vessel carriers. Auspicious pattern is an important category in Chinese traditional pattern, because of its unique auspicious and beautiful moral, it has the characteristics of strong practicability and wide spread, and is loved by the masses of people. With the penetration of mechanized production in modern social life, the industrial production model makes the development of modern daily ceramics more and more rapid. Every day, thousands of modern daily ceramics flow from production line to every market. Ceramics has been an important carrier of auspicious patterns display and inheritance since ancient times, ceramic visual language can not be separated from auspicious patterns decoration embellishment. There is no lack of auspicious decorative patterns in the market of modern domestic ceramics. However, some of the ornaments we have seen are just copying the expression forms of auspicious patterns to make the products more rigid. Even some auspicious patterns of decoration have been divorced from the aesthetic needs of modern people, which shows that some designers lack understanding of the meaning of auspicious patterns and the basic artistic forms of expression, leading to the void of their decorative designs. Causes the product theme to express the meaning to be ambiguous. Therefore, in order to make auspicious patterns better play its reasonable decorative significance in modern daily ceramic decoration design, as designers must systematically understand the development and evolution of auspicious patterns in China. Only in order to make the application of auspicious patterns in modern daily ceramics more brilliant can we develop and inherit our nation's excellent art culture by excavating its deep cultural connotation and studying its rich and diverse artistic expression denotation semantics. As a kind of visual form, auspicious pattern has its profound semantic connotation of morphology and abundant semantic expression form of morphological extension. In this paper, aiming at the problems of auspicious patterns in the design of modern daily ceramic decoration, we use the morphological semantics analysis method, from the perspective of morphological symbol cognition, This paper systematically analyzes the morphological connotation and extension semantics of auspicious patterns in the decoration design of modern domestic ceramics, which is of guiding significance for the decoration and application of auspicious patterns in modern domestic ceramics. With the progress of society and the improvement of people's aesthetic level, the morphology and semantics of auspicious patterns in modern daily ceramic decoration have evolved to a certain extent. The essence of this evolution is the inheritance and innovation of the essence of auspicious patterns and semantics in modern daily ceramic decoration design. This inheritance and innovation makes the decoration of auspicious patterns in modern daily ceramics more flexible and vivid. More in line with the aesthetic needs of modern people. Based on the above theoretical research and case study, this paper demonstrates the guiding significance of this research in the design of modern ceramic decoration. This paper is only a preliminary study of the morphology and semantics of auspicious patterns in the decoration design of modern daily ceramics, and will do further research in the future, hoping to provide certain theoretical help for auspicious patterns in the decoration design of modern daily ceramics.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J527
【参考文献】
相关期刊论文 前1条
1 王怡苹;;“番莲花”纹释考[J];南方文物;2012年03期
，本文编号：2213492
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