传统木作手艺与现代器具的共生设计研究
发布时间：2018-09-10 15:28
【摘要】：通过对众多传统手工艺进行观察后得出手工艺要想与时代保持稳步前进,必须寻求全新发展方式,即转型现代工业设计、与现代设计协作达到平衡状态。其中传统木作手艺无论是在造物思维还是造物方式上都极具传统手工艺代表性。首先木作手艺具有久远的历史并延续至今,其次木作手艺涵盖了多种制作形式且贴近生产生活,再者木作取材完全来源自然符合现代设计诉求,而传统形式所制作出来的器物却因为外形单一刻板却面临淘汰,因此急需寻求转型道路。而在繁多的现代工业产品中,生活器具与人接触最为密切也最能反映人们生活喜好和生活常态,尤其体现在生活工作中放置于台面使用或装饰的小型木艺制品,不仅自然环保更能体现使用者的独特品味。但是经过工厂的批量制作和生产,一方面破坏了木本身的材质属性,另一方面丧失了现代人所追求的个性产品,因此需要注入精神内涵的同时还需回首传统的造物理念。根据传统木作手艺与现代木制生活器具存在着的需求与不足,而相互需要的同时又存在一定的矛盾关系,正是两者共生的契机,继而引出“共生思想”。共生正是在这种竞争和紧张的关系中建立起的一种赋有创造性的关系,同时又相互给予对方必要的理解和肯定。通过对传统木作手艺和现代器具各方面的特征分析,归纳出传统木作手艺中的用材方式、使用工具、制作技法都与现代木制生活器具存在可行的共生关系。最后选取现代设计中筵席了传统手艺精神和传统木作形式的器具设计案例加以分析,并设计了一组名为“几·盒”的现代多功能器具,完成了传统木作与现代器具的共生设计实践,验证了传统手艺与现代木制器具设计的共生理论,既要尊重传统造物思维又要适当运用现代先进技术。共生的关键就在于手艺与机器的协作方式,机器能减轻制作难度,手艺则能提高附加值,由此得出共生是传统手工艺实现现代转型的重要途径。
[Abstract]:Through the observation of many traditional handicrafts, it is concluded that if the handicraft wants to keep steady progress with the times, it must seek a new way of development, that is, to transform the modern industrial design and cooperate with the modern design to achieve a balanced state. Among them, the traditional woodwork is representative of traditional handicraft, not only in the thinking of creation, but also in the way of creation. First, woodwork has a long history and continues to this day. Secondly, woodwork covers a variety of forms of production and is close to production and life. Moreover, the complete source of woodwork naturally conforms to the demands of modern design. However, the traditional form of artifacts is faced with elimination because of its single shape, so it is urgent to seek the way of transformation. Among the many modern industrial products, living utensils have the closest contact with people and can best reflect people's preferences and normality in life, especially the small wooden products placed on the table or decorated in life and work. Not only natural environmental protection can reflect the unique taste of users. But through the mass production and production of the factory, on the one hand, it destroys the material properties of the wood itself, on the other hand, it loses the personality products pursued by the modern people, so it needs to inject the spiritual connotation and look back at the traditional creational idea at the same time. According to the demand and deficiency of traditional woodwork and modern wooden living utensils, and the mutual need, there is a certain contradiction relationship, which is the opportunity of symbiosis between the two, and then leads to the "symbiotic thought". INTERGROWTH is a kind of creative relationship established in this kind of competition and tension, at the same time giving each other necessary understanding and affirmation. Based on the analysis of the characteristics of traditional woodwork and modern utensils, it is concluded that there is a feasible symbiotic relationship between the use of materials, tools and techniques of traditional woodwork and modern wooden living utensils. In the end, a case study of the traditional craftsmanship spirit and the traditional wooden form in the modern design is carried out, and a group of modern multifunctional instruments called "several boxes" are designed. The symbiotic design practice of traditional woodwork and modern utensils has been completed, and the symbiotic theory of traditional handicraft and modern wooden apparatus design has been verified. It is necessary to respect the thinking of traditional creation and use modern advanced technology appropriately. The key of symbiosis lies in the way of cooperation between craft and machine. The machine can reduce the difficulty of making and the technology can increase the added value. It is concluded that symbiosis is an important way to realize the modern transformation of traditional handicraft.
【学位授予单位】：中南林业科技大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J528
[Abstract]:Through the observation of many traditional handicrafts, it is concluded that if the handicraft wants to keep steady progress with the times, it must seek a new way of development, that is, to transform the modern industrial design and cooperate with the modern design to achieve a balanced state. Among them, the traditional woodwork is representative of traditional handicraft, not only in the thinking of creation, but also in the way of creation. First, woodwork has a long history and continues to this day. Secondly, woodwork covers a variety of forms of production and is close to production and life. Moreover, the complete source of woodwork naturally conforms to the demands of modern design. However, the traditional form of artifacts is faced with elimination because of its single shape, so it is urgent to seek the way of transformation. Among the many modern industrial products, living utensils have the closest contact with people and can best reflect people's preferences and normality in life, especially the small wooden products placed on the table or decorated in life and work. Not only natural environmental protection can reflect the unique taste of users. But through the mass production and production of the factory, on the one hand, it destroys the material properties of the wood itself, on the other hand, it loses the personality products pursued by the modern people, so it needs to inject the spiritual connotation and look back at the traditional creational idea at the same time. According to the demand and deficiency of traditional woodwork and modern wooden living utensils, and the mutual need, there is a certain contradiction relationship, which is the opportunity of symbiosis between the two, and then leads to the "symbiotic thought". INTERGROWTH is a kind of creative relationship established in this kind of competition and tension, at the same time giving each other necessary understanding and affirmation. Based on the analysis of the characteristics of traditional woodwork and modern utensils, it is concluded that there is a feasible symbiotic relationship between the use of materials, tools and techniques of traditional woodwork and modern wooden living utensils. In the end, a case study of the traditional craftsmanship spirit and the traditional wooden form in the modern design is carried out, and a group of modern multifunctional instruments called "several boxes" are designed. The symbiotic design practice of traditional woodwork and modern utensils has been completed, and the symbiotic theory of traditional handicraft and modern wooden apparatus design has been verified. It is necessary to respect the thinking of traditional creation and use modern advanced technology appropriately. The key of symbiosis lies in the way of cooperation between craft and machine. The machine can reduce the difficulty of making and the technology can increase the added value. It is concluded that symbiosis is an important way to realize the modern transformation of traditional handicraft.
【学位授予单位】：中南林业科技大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J528
【参考文献】
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