蒙古族装饰图案在地域性建筑中的语义表达

发布时间：2018-11-20 05:06

【摘要】： 从八十年代开始,中国的地域建筑创作形成了多元化的局面,进入新时期以后,显得更加主动和开放,不但逐渐看出地域体系,而且在保留原有成就的同时,开创了许多新的思路。内蒙古地区现代建筑地域性表达的探索,基本都会通过吸收传统形式的特征,在设计上体现地区的民族倾向。蒙古族装饰图案作为蒙古族地域性民族文化的一部分,是展现蒙古民族思想情感、精神风貌的视觉艺术形态,是在长期的历史发展过程中沉淀和累积下来的传统造型艺术宝库。其构图、设计、题材是体现民族性、地域性的重要手段。对它们进行分析和研究,融入建筑设计领域,对开拓今后内蒙古地区建筑创作思路而言,是一个不可或缺的重要因素。本文通过搜集大量的图片及文字资料,进行细致的归纳分析,对蒙古族传统装饰图案的题材、寓意、创作思路以及在地域性建筑中的运用进行了探讨研究。主要是以符号学为方法论,理清蒙古族传统图案所具有的象征意义,从深入分析图案符号的表意结构入手,探求符号背后的文化本质,将其从原背景中分离,并进行“现代化”的改造,通过简化归纳、夸张或抽象变化等手法,赋予其新的理念与形式,创造传统图案新的结构化的表达方式,恰当地运用于现代建筑当中,从而满足现今社会文化日益地区化、民俗化的发展,借助传统图案这以符号的物化形式把握民族文化的意义。
[Abstract]:Since the 1980s, the creation of regional architecture in China has formed a diversified situation. After entering the new era, it has become more active and open. It not only gradually sees the regional system, but also retains its original achievements at the same time. Many new ideas have been created. The exploration of regional expression of modern architecture in Inner Mongolia region will basically reflect the national tendency of the region by absorbing the characteristics of traditional forms. As a part of Mongolian regional national culture, Mongolian decorative pattern is a visual art form that shows Mongolian national thoughts, emotions and spiritual features, and it is a treasure house of traditional plastic arts which has been precipitated and accumulated in the long historical development process. Its composition, design and subject matter are important means to embody nationality and region. It is an indispensable and important factor to analyze and study them and integrate them into the field of architectural design, which is an indispensable factor for opening up the ideas of architectural creation in Inner Mongolia in the future. By collecting a large number of pictures and characters, this paper makes a detailed analysis of the themes, meanings, creative ideas and application of Mongolian traditional decorative patterns in regional architecture. It mainly takes semiotics as the methodology, clarifies the symbolic meaning of the Mongolian traditional pattern, starts with the deep analysis of the ideographic structure of the pattern symbol, explores the cultural essence behind the symbol, and separates it from the original background. And through the transformation of "modernization", by means of simplified induction, exaggeration or abstract change, giving it new ideas and forms, creating a new structured expression of traditional patterns, it is properly applied in modern architecture. In order to meet the social culture increasingly regional, folk development, with the help of traditional patterns, with the symbol of the materialized form to grasp the significance of national culture.
【学位授予单位】：内蒙古工业大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：TU-86

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