河南地区佛教建筑装饰色彩研究

发布时间：2018-11-20 17:00

【摘要】：我国佛教的建筑色彩艺术成果璀璨，在我国建筑的悠久历史上始终占有一席之地，是华夏文明的重要组成部分之一。河南地区自古风景宜人，山明水秀，如若仙境，而河南地区的佛教文化则是源远流长，经年香火不衰，自古被誉为我国一大佛教胜境，长期以来形成了独具特色的佛教建筑色彩艺术风格。河南地区佛教建筑用色风格古拙淡雅，朴实无华，空间布局则依山就势，顺应自然之美，可谓是我国一大颇具代表性的佛教建筑集群。本文旨在通过对河南地区佛教建筑装饰色彩艺术的深入研究，使得人们能够深入了解其内涵，在追求卓越的现代化生活的同时，重视传统文化的审美，关注历史遗迹的保护，注重人与环境的和谐融洽。文章以佛教文化与建筑色彩的关系为切入点，，以藏传、汉传、南传这三大佛教传播流派作为线索，阐述了佛教建筑的基本特征以及建筑与建筑装饰色彩构成与佛教文化、佛教思想内涵之间的内在联系。经过深入的分析与探讨，结合笔者的实地考察，研究剖析佛教建筑及其装饰的用色方式与其地域特性、文化特性、历史特性的关系，理清不同风格的佛教建筑用色方式之间的清晰脉络。本文围绕河南地区的佛教建筑装饰色彩艺术展开讨论，运用民俗学、历史学、宗教学等人文社会科学与建筑基本理论、装饰色彩艺术理论相结合的研究方法，进行了实地考查和测量，在尽可能多地收集、掌握相关资料的基础上，选取典型案例进行分析，将佛教文化对佛教建筑装饰色彩艺术的诸多层面的影响和渗透进行梳理，从而透视出东方佛教建筑色彩艺术的演变历程与审美需求。在文章的后半部分，将建筑学、色彩学等学科与佛教建筑及其装饰色彩艺术这一话题联系在一起，运用色彩学的研究方法对采集到的资料进行了组织与分析。在分析的过程中，总结了佛教建筑中的色彩关系，以色票的形式归纳出河南地区佛教建筑的色彩体系，为河南地区的佛教建筑色彩的进一步深入研究提供了理论依据。论文全文将宗教文化与建筑色彩艺术这两方面内容合理的结合在一起，从宏观的角度把握佛教建筑色彩的文化内涵，从微观的角度对佛教建筑用色方式进行科学的分析与探索。文章总结归纳了作者长期以来采集、储备的大量数据，希望在丰富人们的色彩艺术审美情怀，加强人们对宗教文化的认识这个层面上做出一定的贡献。
[Abstract]:The architectural color art of Buddhism in our country has always occupied a place in the long history of Chinese architecture, which is one of the important parts of Chinese civilization. Since ancient times, Henan has a pleasant scenery, beautiful mountains and rivers, such as fairyland, while the Buddhist culture of Henan has a long history, and has been famous as one of the great Buddhist places of our country since ancient times. For a long time, the unique color art style of Buddhist architecture has been formed. The color style of Buddhist architecture in Henan area is ancient, simple and elegant, and the space layout is in accordance with the trend of the mountain and conforms to the beauty of nature. It can be said that it is a representative group of Buddhist architecture in our country. The purpose of this paper is to deeply study the decorative color art of Buddhist architecture in Henan, so that people can understand its connotation deeply, attach importance to the aesthetics of traditional culture, and pay close attention to the protection of historical relics while pursuing outstanding modern life. Pay attention to harmony between people and environment. Taking the relationship between Buddhist culture and architectural color as the breakthrough point and the three major schools of Buddhist communication as clues, this paper expounds the basic characteristics of Buddhist architecture, the composition of architecture and architectural decoration color and the Buddhist culture. The internal relation between the connotation of Buddhism thought. Through in-depth analysis and discussion, combined with the author's on-the-spot investigation, this paper studies and analyzes the relationship between the color usage of Buddhist architecture and its decoration and its regional characteristics, cultural characteristics, historical characteristics, etc. To clear up the different styles of Buddhist architecture color between the clear context. This paper discusses the decorative color art of Buddhist architecture in Henan, and applies the basic theories of humanities, social sciences and architecture, such as folklore, history and religion, and the theory of decorative color art. On the basis of collecting as much as possible and mastering the relevant data, this paper selects typical cases to analyze the influence and infiltration of Buddhist culture on the decorative color art of Buddhist architecture. Thus perspective the oriental Buddhist architecture color art evolution process and aesthetic needs. In the second half of the article, the subject of architecture, color science and Buddhist architecture and its decorative color art are linked together, and the collected data are organized and analyzed by using the method of color science. In the process of analysis, the color relationship in Buddhist architecture is summarized, and the color system of Buddhist architecture in Henan is summed up in the form of color ticket, which provides a theoretical basis for further research on the color of Buddhist architecture in Henan. The thesis combines religious culture and architectural color art reasonably, grasps the cultural connotation of Buddhist architecture color from the macroscopic angle, and carries on the scientific analysis and the exploration to the Buddhist architecture color way from the microscopic angle. This paper summarizes and summarizes a large number of data collected and stored by the author for a long time, hoping to contribute to enriching people's aesthetic feelings of color art and strengthening people's understanding of religious culture.
【学位授予单位】：西安工程大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TU252;TU115

【参考文献】