云南白族传统民居装饰的特点与风格研究
发布时间：2018-11-20 20:47
【摘要】： 本文旨在结合云南白族居住区的地域特点和人文环境，对历史和现存的白族传统民居的装饰文化进行全面深入的分析和归纳，从中分析、归纳、总结出云南白族传统民居装饰文化的地域特征以及在当代中国室内设计中传承白族传统民居装饰文化的方式与手法。 云南白族传统民居建筑是白族先民们经过上千年创造并汲取各族优秀建筑文化智慧的结晶。“村村流水，户户养花”是白族村庄的特色，它以其独特的院落布局、庭院绿化、照壁门楼、白墙灰瓦、坡顶屋面、流檐飞阁、淡墨彩画、精美木雕和石雕、大理石屏、泥塑等丰富的建筑文化，体现了鲜明的民族风格和地方特色。白族民居是白族传统文化的物质形态，是白族人民为适应自然环境和白族生活方式、民俗习惯所创造的独具风格的建筑形式，它从选址到营造，从室内到室外，从整体空间到细部装饰无一不凝聚着白族传统文化的精髓。 本文研究表明，白族传统民居装饰文化的形成是诸多因素共同作用的结果：独特的地理位置与气候是白族传统民居生存的土壤，，汉文化的影响为白族传统民居的建造与装饰提供了依据，发达的经济促进了民居装饰的发展，精湛卓越的手工艺提高了白族传统民居装饰的水平，宗教信仰、礼制等级、风水意识和祈福迎祥等的观念精神孕育了白族传统民居丰富的文化内涵；白族传统民居的装饰特点与艺术风格通过装饰手法和重点部位的装饰及其它装饰等三部分来进行论述。白族传统民居的装饰手法包括木雕、石雕、彩绘、泥塑、扎染蜡染等，重点部位装饰体现在门楼、照壁、山墙、围屏、地坪等方面，其它装饰有庭院景观、材料及色彩应用等。通过论文的分析、归纳与总结，指出白族传统民居装饰在当代室内设计中的传承的方式与手法，包括白族传统民居图案的当代借用、天然材料的当代借用、色彩的当代借用以及思想意境的当代借用与传达。
[Abstract]:The purpose of this paper is to analyze and summarize the history and the existing decoration culture of the Bai nationality traditional residence in the light of the regional characteristics and the humanistic environment of Yunnan Bai nationality residential area, from which to analyze and conclude. This paper summarizes the regional characteristics of Yunnan Bai traditional residence decoration culture and the ways and means of inheriting the Bai nationality traditional residence decoration culture in contemporary Chinese interior design. Yunnan Bai traditional residence architecture is the crystallization of Bai ancestors who created and absorbed the wisdom of excellent architectural culture after thousands of years. "running water in villages and villages, keeping flowers in households" is the characteristic of Bai nationality villages. It is characterized by its unique courtyard layout, yard greening, gate building, grey tile with white wall, roof with sloping roof, fluffy eaves flying pavilion, light ink painting, exquisite wood carving and stone carving, marble screen, etc. Clay sculptures and other rich architectural culture, reflecting the distinctive national style and local characteristics. Bai folk residence is the material form of Bai traditional culture, it is the unique architectural form created by Bai nationality people to adapt to the natural environment and the Bai people's way of life, it is from site selection to construction, from indoor to outdoor. From the overall space to the details of decoration all condensed the essence of the Bai traditional culture. This paper shows that the formation of decoration culture of Bai traditional residence is the result of many factors: unique geographical location and climate are the soil for the survival of Bai traditional residence. The influence of Han culture provided the basis for the construction and decoration of the traditional houses of the Bai nationality. The developed economy promoted the development of the decoration of the houses, and the exquisite handicrafts improved the level of decoration of the traditional houses of the Bai nationality. The spirit of Feng Shui consciousness and blessing Yingxiang gave birth to the rich cultural connotations of Bai nationality traditional houses. The decorative characteristics and artistic style of Bai traditional houses are discussed in three parts: decoration technique, decoration of key parts and other decoration. The decoration techniques of traditional Bai folk houses include wood carving, stone carving, color painting, clay sculpture, tie-printing batik and so on. The key parts of the decoration are the gatehouse, the lighting wall, the gable wall, the screen, the floor and so on. The other decorations include the courtyard landscape, the material and the color application and so on. Through the analysis, induction and summary of the paper, the paper points out the ways and means of inheriting the decoration of the traditional Bai folk residence in the contemporary interior design, including the contemporary borrowing of the Bai traditional folk residence pattern, the contemporary borrowing of the natural materials, The contemporary borrowing of color and the contemporary borrowing and conveying of ideological and artistic conception.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J525.1
本文编号：2345974
[Abstract]:The purpose of this paper is to analyze and summarize the history and the existing decoration culture of the Bai nationality traditional residence in the light of the regional characteristics and the humanistic environment of Yunnan Bai nationality residential area, from which to analyze and conclude. This paper summarizes the regional characteristics of Yunnan Bai traditional residence decoration culture and the ways and means of inheriting the Bai nationality traditional residence decoration culture in contemporary Chinese interior design. Yunnan Bai traditional residence architecture is the crystallization of Bai ancestors who created and absorbed the wisdom of excellent architectural culture after thousands of years. "running water in villages and villages, keeping flowers in households" is the characteristic of Bai nationality villages. It is characterized by its unique courtyard layout, yard greening, gate building, grey tile with white wall, roof with sloping roof, fluffy eaves flying pavilion, light ink painting, exquisite wood carving and stone carving, marble screen, etc. Clay sculptures and other rich architectural culture, reflecting the distinctive national style and local characteristics. Bai folk residence is the material form of Bai traditional culture, it is the unique architectural form created by Bai nationality people to adapt to the natural environment and the Bai people's way of life, it is from site selection to construction, from indoor to outdoor. From the overall space to the details of decoration all condensed the essence of the Bai traditional culture. This paper shows that the formation of decoration culture of Bai traditional residence is the result of many factors: unique geographical location and climate are the soil for the survival of Bai traditional residence. The influence of Han culture provided the basis for the construction and decoration of the traditional houses of the Bai nationality. The developed economy promoted the development of the decoration of the houses, and the exquisite handicrafts improved the level of decoration of the traditional houses of the Bai nationality. The spirit of Feng Shui consciousness and blessing Yingxiang gave birth to the rich cultural connotations of Bai nationality traditional houses. The decorative characteristics and artistic style of Bai traditional houses are discussed in three parts: decoration technique, decoration of key parts and other decoration. The decoration techniques of traditional Bai folk houses include wood carving, stone carving, color painting, clay sculpture, tie-printing batik and so on. The key parts of the decoration are the gatehouse, the lighting wall, the gable wall, the screen, the floor and so on. The other decorations include the courtyard landscape, the material and the color application and so on. Through the analysis, induction and summary of the paper, the paper points out the ways and means of inheriting the decoration of the traditional Bai folk residence in the contemporary interior design, including the contemporary borrowing of the Bai traditional folk residence pattern, the contemporary borrowing of the natural materials, The contemporary borrowing of color and the contemporary borrowing and conveying of ideological and artistic conception.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J525.1
【引证文献】
相关期刊论文 前1条
1 张永宁;马楠;;大理白族石雕艺术风格初探[J];湖北美术学院学报;2013年02期
相关硕士学位论文 前3条
1 张毅;建筑环境中的影壁文化研究[D];景德镇陶瓷学院;2009年
2 杨小岚;石榴纹艺术符号研究[D];湖南工业大学;2012年
3 冯永荣;山西民居木雕装饰图案研究[D];山西师范大学;2013年
本文编号：2345974
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