高温色釉装饰的写意性
发布时间：2019-07-04 14:23
【摘要】： 高温色釉装饰自商代出现的原始青瓷至唐代长沙铜官窑执着而率真的写意性表现,再到20世纪70年代以来,逐渐发展起来的高温色釉彩绘,伴随着整个陶瓷史经历了很长时间的科学与技术的摸索和突破,在这个时代得以呈现,由最初的单色到多色再到现在的绘画性的写意表达,在翻阅相关文献和创作的同时,感到高温色釉是一种集科学与艺术、自然与精神于一体具有无比创造力的陶瓷材质,高温色釉结晶了世世代代陶工和艺术家的生命和智慧,在当代陶瓷艺术的语境下,应该展现出他的时代风华,“笔墨当随时代”,我们在感念先辈们的同时,将其发扬的责任就落在我们这一代陶瓷人的肩上,如何传承和发扬,融合中西,是值得我们探讨的重要课题。
文内图片：
图片说明：《似曾相识之聊》由翠青
[Abstract]:High temperature color glaze decoration from the original celadon appeared in Shang Dynasty to Changsha Tongguan kiln in Tang Dynasty was persistent and real freehand expression, and then to the 1970s, the high temperature color glaze painting gradually developed, accompanied by the exploration and breakthrough of science and technology for a long time in the whole ceramic history, which was presented in this era, from the original monochromatic to multicolor to the present painting freehand brushwork expression. While reading the relevant literature and creation, I feel that the high temperature color glaze is a kind of ceramic material which integrates science and art, nature and spirit, and has incomparably creative ceramic material. The high temperature color glaze has embodied the life and wisdom of pottery workers and artists from generation to generation. In the context of contemporary ceramic art, we should show his time splendor. "pen and ink should follow the times". At the same time, we feel the ancestors at the same time. The responsibility of carrying forward it falls on the shoulders of our generation of ceramics. How to inherit and carry forward and integrate China and the West is an important topic worthy of our discussion.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527
本文编号：2509982
文内图片：
图片说明：《似曾相识之聊》由翠青
[Abstract]:High temperature color glaze decoration from the original celadon appeared in Shang Dynasty to Changsha Tongguan kiln in Tang Dynasty was persistent and real freehand expression, and then to the 1970s, the high temperature color glaze painting gradually developed, accompanied by the exploration and breakthrough of science and technology for a long time in the whole ceramic history, which was presented in this era, from the original monochromatic to multicolor to the present painting freehand brushwork expression. While reading the relevant literature and creation, I feel that the high temperature color glaze is a kind of ceramic material which integrates science and art, nature and spirit, and has incomparably creative ceramic material. The high temperature color glaze has embodied the life and wisdom of pottery workers and artists from generation to generation. In the context of contemporary ceramic art, we should show his time splendor. "pen and ink should follow the times". At the same time, we feel the ancestors at the same time. The responsibility of carrying forward it falls on the shoulders of our generation of ceramics. How to inherit and carry forward and integrate China and the West is an important topic worthy of our discussion.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J527
【引证文献】
相关期刊论文 前1条
1 王兴凯;程惠琴;;陶瓷绘画中色釉的点线面表现形式[J];中国陶瓷;2012年08期
相关硕士学位论文 前2条
1 马丁民;景德镇当代高温色釉绘画研究[D];景德镇陶瓷学院;2011年
2 杜跃;景德镇当代高温色釉绘画的艺术表现[D];景德镇陶瓷学院;2012年
，本文编号：2509982
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