缠枝纹装饰风格探析

发布时间：2019-07-09 17:50

【摘要】： 本论文围绕缠枝纹这一重要的装饰纹样，以中国历代社会状况和外来文明为线索，追溯这一纹样的起源、成形和发展，分析其基本特征。试图证明在历史发展的大趋势和外来文明的客观影响这两条主线的作用下，缠枝纹结合我国各朝代政治变化、经济发展、文化进步等时代特点，形成优美婉转、圆润流畅、富有变化的纹样风格。本论文将依据图例，通过比较分析的方法论述缠枝纹在不同文化背景和宗教观念制约下表现出的不同风格特征和精神内涵，以阐明缠枝纹的装饰风格。缠枝纹的产生与成形、发展、成熟，必然来自于时代和环境的影响。过去的时代形成了历史上的缠枝纹形式，产生了那个时代“合理的装饰风格”。然而，现代科学和技术的发展，使人们形成和过去迥然不同的生活方式和对于自然和社会的认识水平，人们对于自己的审美要求更为重视。创作出好的、适于现代审美追求的装饰纹样是当今设计师的责任。过去人们常常把对缠枝纹的研究放在纹样本身所依附的载体上面，对缠枝纹这一纹样本身的源流、发展与装饰风格和审美寓意等关注较少。而且，即使有也只是如蜻蜒点水，，研究不深刻、系统，没有形成统一的板块，让人很难把握。探讨缠枝纹的源流、装饰风格与审美寓意是本文的主要目的。文章主要有五部分：第一部分：论述缠枝纹的研究现状、内容、背景、意义以及研究方法等。尽管人们对缠枝纹的理论研究是近年来的事情，而缠枝纹作为传统装饰纹样的一种却早已在唐朝时就已成形并一直延续发展至今，直到今天仍是设计师和人们所喜欢的装饰纹样之一。第二部分：对于缠枝纹概念上的辨析及其起源说与发展概况。 1．概念辨析是研究缠枝纹装饰特征之前的必要工作，通过各专家学者对缠枝纹的分析并结合作者自己对缠枝纹的认识和辨析，终于得出自己对于缠枝纹的正确理解，这将有助于后来的研究者更有利的研究与此相关的研究工作。 2．有关缠枝纹的起源，作者结合有关缠枝纹的历史图片和各种文献资料得到了这样一个结论：即缠枝纹是在中国传统纹样的基础之上吸收了部分外来因素所形成的具有中国自己民族特色的传统装饰纹样。 3．缠枝纹的发展概况，简述了缠枝纹的发展脉络。第三部分：成熟期缠枝纹的典型特征与影响因素。通过结合缠枝纹成熟期图案特征和中国自身社会因素及国外文明两大线索探讨了缠枝纹的典型特征及其形成原因。第四部分：缠枝纹的装饰风格与审美寓意的探讨。本部分内容在统览了缠枝纹的起源、发展及典型特征之后，在结合中国传统文化的基础上着重对缠枝纹的装饰风格及审美寓意进行了探讨。并得出以下相关结论： 1．缠枝纹的最大特征就是它的S形和对称式曲线骨格结构，这一优美的曲线结构是缠枝纹在历经一两千年后仍然是人们最喜爱的装饰纹样之一的一个重要因素； 2．在中国传统文化影响下所形成的题材的意象化是缠枝纹的第二大特征； 3．多种形式法则的并用是缠枝纹的另一个典型特征。第五部分：缠枝纹样的传承与发展。概括缠枝纹的延续与影响，研究缠枝纹在当代纺织品纹样中的设计与应用，并对缠枝纹的发展与未来进行展望。
[Abstract]:This paper focuses on the important decorative patterns of the pattern, and traces the origin, shape and development of this pattern to the origin, shape and development of the pattern, and analyzes the basic characteristics of this pattern. In an attempt to prove the great trend of the historical development and the objective influence of the external civilization on the two main lines, the paper forms the style of graceful and graceful, smooth and changeable pattern in combination with the characteristics of the times, such as the political changes, economic development and cultural progress of our country. According to the legend, this paper discusses the different style of the style of the style of the tangling in the different cultural background and the restriction of the religious idea through the comparative analysis method. The generation and formation, development, and maturity of the winding pattern must come from the times and the environment The influence of the past has formed the form of the winding pattern in history, which has produced the "a reastenable style" . However, the development of modern science and technology has made it easier for people to form and in the past different ways of life and to the level of awareness of nature and society, and people's aesthetic demands are more The decorative pattern suitable for modern aesthetic pursuit is today's designer. It is the responsibility of the past people to put the research on the winding pattern on the support attached to the pattern itself, to the origin, development and the decoration style and the aesthetic of the pattern itself. The implication is less attention. And, even if it's just like a dragonfly, the research is not deep, the system is not forming a unified block. It is difficult to grasp the origin, the decoration style and the trial of the winding pattern. The meaning of beauty is the main part of this paper Objective. The article mainly has five parts: the first part: to discuss the research status of the winding pattern, The content, background, meaning, and research method, etc. Although the research of the theory of the winding is the matter in recent years, the traditional decorative pattern has been formed in the Tang Dynasty and has been continuously developed till now. The day is still one of the decorative patterns that designers and people like. The concept of the concept is the necessary work before the study of the features of the winding and the author, through the analysis of the winding patterns by the experts and scholars, and the author's own. On the understanding and analysis of the winding pattern, we can finally get the correct understanding of the winding pattern. This will help the later researchers to study the research work related to it. It has absorbed some of the foreign factors, and has the Chinese own nationality. The traditional decorative pattern of the color.3. The development of the winding pattern. In the third part, the typical characteristics and influencing factors of the winding pattern in the mature period. The pattern characteristics of the mature period and the social factors of China and the civilization of foreign countries The two main clues are the typical characteristics of the winding pattern and the causes of its formation. The fourth part: the study of the decorative style and the aesthetic meaning of the winding pattern. The content of this part is in the general view The Origin, Development and Development of the Entangling After the typical characteristic, on the basis of combining the Chinese traditional culture, the paper discusses the decorative style and the aesthetic meaning of the winding pattern. The following conclusions are drawn:1. The most characteristic of the winding pattern is its S The shape and the symmetrical curve bone lattice structure, this beautiful curve structure is a winding pattern after a two thousand years Still, one of the most popular decorative patterns is an important factor; 2. Under the influence of Chinese traditional culture The image of the formed subject is the second major feature of the winding pattern;3. The combination of many forms of law is another typical feature of the winding.
【学位授予单位】：东华大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J525

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