民族民间舞限定下的舞台创作

发布时间：2018-01-09 15:09

本文关键词：民族民间舞限定下的舞台创作　出处：《北京舞蹈学院》2014年硕士论文　论文类型：学位论文

【摘要】：限定是舞台民间舞创作的一个重要方面，同时，在民族民间舞的舞台创作中，编导的现代意识的融入创作是一个不断积累经验、不断自我摸索的过程。本文主要围绕三种限定，即“元素限定”、“风格限定”、“意境限定”，作为民族民间舞创作的前提，以自创《那个世界》、《净土》、《雨雾春山》舞蹈作品为例，皆在从切身体会去阐释本文的论点。分别从民族民间舞限定与现代意识、笔者的民族民间舞限定下的舞台创作、对民族民间舞限定下的舞台创作新认识这三方面，层层递进、相互联系，，运用例证法，着重论述“民族民间舞限定下的舞台创作”的一些认识。
[Abstract]:Limited is an important aspect of the folk dance creation stage, at the same time, the folk dance stage in the creation of modern consciousness, directing the into the creation is a process of accumulation of experience, constantly self exploration. This paper mainly focuses on three kinds of restriction, namely "element limit", "limit style", "artistic conception is limited" as a prerequisite for folk dance creation, to create the world < >, < > < pure land, and Spring Hill > dance works as an example, are from keenly aware of this argument. To explain separately from the national folk dance limit and modern consciousness, the folk dance is Limited under the stage of national creation. Folk dance under the restriction of the stage creation of new understanding of these three aspects, progressive layers, contact each other, by example, focuses on "some understanding of folk dance under the restriction of the stage creation".

【学位授予单位】：北京舞蹈学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J722.2

【参考文献】