图像学对汉画像舞蹈激活方式的探索

发布时间：2018-01-12 21:02

本文关键词：图像学对汉画像舞蹈激活方式的探索　出处：《北京舞蹈学院》2016年硕士论文　论文类型：学位论文

【摘要】：本论文的研究对象是汉画像舞蹈,研究内容是汉画像舞蹈图像的激活,即以图像学和文献学的史料作为依据,将二维的舞蹈图像激活为四维的舞蹈动作,并在汉代形而上的思想观念关照下,呈现与之统一的形而下的身体语言及舞蹈文本。汉画像舞蹈是依据汉画像中的舞蹈图像激活而成的舞蹈文本,图像是它的依据,也是挖掘汉代舞蹈语源的媒介。正如孙颖先生所言:“从理论思维入手,转向操作实践,把沉埋于文物中死的舞蹈形象,激活、再造,形成具有历史内涵的活的形态。”舞蹈图像的激活是孙颖先生在汉唐舞建设中的立足点,本论文秉持历史还原主义的态度,继续回到这激活的原点上,尝试探索一条重建汉代舞蹈的路径,也希望能为中国古典舞的重建提供有限的参考。具体来说,这条路径可分为“三步走”来实现,根据图像学研究的三个层次划分为:第一,汉画像舞蹈图像的前图像志分析,即研究汉画像舞蹈图像产生的历史背景与文化语境,并依据分类学通过图像的辨认划分汉画像舞蹈的主要类别。这一步依赖历史学、文化学、文献学等学科的先期研究,理清汉画像产生时代的历史文化背景,作为之后两步的基础;第二,汉画像舞蹈图像的图像志描述,包括对汉画像整体图式的语义系统的分析和对汉画像舞蹈典型文本的解读。这一步的研究有导师刘建教授“汉画像舞蹈图像的表达”公选课的实践成果为基础,更具针对性;第三,汉画像舞蹈图像的图像学解释及动态延伸,分为汉画像舞蹈内涵及功能的解读和汉画像舞蹈图像的激活两个部分,是从图像学走向舞蹈身体语言学,从二维图像走向立体的舞蹈,并最终呈现具有表达内涵的舞蹈文本。
[Abstract]:The research object of this thesis is the Chinese portrait dance, the research content is the activation of the Chinese portrait dance image, that is, based on the historical materials of imageology and philology, the two-dimensional dance image is activated into four-dimensional dance movement. And under the care of the metaphysical ideas of the Han Dynasty, it presents the body language and the dance text under the unity of the body language and the dance text. The Han portrait dance is a dance text based on the dance images in the Han Dynasty. Image is the basis of it, and it is also the medium of excavating the source of dance language in Han Dynasty. Just as Mr. Sun Ying said: "starting from the theory thinking, turning to the operation practice, the dance image buried in the cultural relics can be activated and recreated." The activation of dance images is the foothold of Mr. Sun Ying in the construction of Han and Tang dance. This paper continues to return to the origin of this activation with the attitude of historical reductionism. Try to explore a reconstruction of the Han Dynasty dance path, but also hope to provide a limited reference for the reconstruction of Chinese classical dance. Specifically, this path can be divided into "three steps" to achieve. According to the three levels of the study of Chinese portraits, there are three levels: first, the pre-image analysis of Chinese portrait dance images, that is, the study of the historical background and cultural context of Chinese portraits dance images. And according to the taxonomy through the image identification of the main categories of Han portraits dance. This step depends on the history, culture, philology and other disciplines of the advance study, to clarify the historical and cultural background of the generation of Han portraits. As the basis for the next two steps; Second, the Chinese portrait dance image of the image description. Including the analysis of the semantic system of the whole schema of the Chinese portrait and the interpretation of the typical text of the Chinese portrait dance. This step of the study is based on the practical results of Professor Liu Jian's "the expression of the Chinese Portrait Dance Image". More targeted; Thirdly, the graphic interpretation and dynamic extension of the Chinese portrait dance image is divided into two parts: the interpretation of the connotation and function of the Chinese portrait dance and the activation of the Han portrait dance image. Moving from two-dimensional image to three-dimensional dance, and finally presenting the dance text with expressive connotation.
【学位授予单位】：北京舞蹈学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J722.4

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