多模态话语下云南彝族烟盒舞的审美定位及其非遗保护

发布时间：2018-05-26 23:30

本文选题：多模态 + 烟盒舞　；参考：《山东大学》2014年硕士论文

【摘要】：烟盒舞广泛流传于云南彝族的尼苏支系,是一种集娱乐性、继承性、群体性、多元性等多种属性为一体的民间艺术,是云南彝族传统民间舞蹈百花园中的一朵奇葩。它蕴含着丰厚的艺术、民俗、历史等文化价值,折射出当地族群的思维方式和价值观念,是积淀厚重的彝族传统艺术文化瑰宝。本文主要以云南彝族烟盒舞为研究对象,期望通过田野作业调查,从多模态话语的独特视角将烟盒舞置于人类学和非物质文化遗产的多维系统中进行历史的、宏观的综合考察,将烟盒舞的表现形式、审美特征立体地呈现出来,最终以非物质文化遗产的宏观视野对其保护传承提出建议和构想。论文包括绪论、三个章节的主体和结语三个部分。绪论部分主要论证了本文的选题缘起、研究现状、研究目的以及相关的方法论。主体第一章主要介绍了多模态话语的界定及其与烟盒舞的逻辑互动关系。第二章主要是在多模态话语基础上阐述烟盒舞的本体风格特征以及提取舞蹈的动作特征,并通过具体实例分析加以佐证。第三章则是站在当前非物质文化遗产保护的背景下,探究烟盒舞的时代变迁,提出相应的保护、传承构想和建议。结语主要是对全文的概括总结和评述。
[Abstract]:Cigarette box dance is a kind of folk art, which is widely spread in Nisu branch of Yi nationality in Yunnan province. It is a kind of folk art with entertainment, inheritance, group, pluralism and so on. It is a wonderful flower in the hundred gardens of Yunnan Yi traditional folk dance. It contains rich cultural values such as art, folklore, history and so on. It reflects the way of thinking and values of local ethnic groups and is a rich treasure of Yi traditional art and culture. This article mainly takes the Yunnan Yi nationality cigarette box dance as the research object, anticipates through the field work investigation, from the multi-modal discourse unique angle of view, the tobacco box dance in the anthropology and the intangible cultural heritage multidimensional system carries on the historical, macroscopic comprehensive investigation. The form of expression and aesthetic characteristics of the tobacco box dance are presented stereoscopically. Finally, suggestions and ideas are put forward to protect and inherit the tobacco box dance from the macroscopic view of intangible cultural heritage. The thesis includes the introduction, the main body of the three chapters and the conclusion. The introduction mainly demonstrates the origin, research status, research purpose and related methodology of this paper. The first chapter mainly introduces the definition of multimodal discourse and its logical interaction with cigarette-box dance. The second chapter is mainly on the basis of multi-modal discourse on the basis of tobacco box dance Noumenon style features as well as the extraction of dance movement features, and through the analysis of specific examples to prove. The third chapter is standing on the background of the current intangible cultural heritage protection, explore the change of the times of cigarette box dance, put forward the corresponding protection, inheritance ideas and suggestions. The conclusion is the summary and comment of the full text.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J722.21

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