藏羌铠甲舞的战争丧葬祭祀仪式考

发布时间：2018-05-26 23:45

本文选题：身体文化 + 体育人类学　；参考：《成都体育学院学报》2017年01期

【摘要】：依据仪式人类学的理论与方法,对岷江上游黑水河流域的藏族、羌族铠甲舞开展田野调查,研究认为羌族战士在出征仪式和战后丧葬祭祀时会跳名为"哈日"和"克西格拉"的铠甲舞,"哈日"的曲调激昂有力,内容多是鼓励武士英勇杀敌、胜利归来;而"克西格拉"音调低沉,反映对战死沙场壮士的怀念和颂赞。而黑水县的嘉绒藏族也会在壮士出征前身着牛皮甲,跳藏语称作"卡斯达温"的铠甲舞。铠甲舞在阿坝州藏羌聚居区流行,说明其英勇好战、信仰虔诚的长期民族战争传统。铠甲舞除具有歌舞的基本功能外,其社会功能还体现在祭祀仪式与神圣符号、尚武精神和社会整合、借助武舞仪式和形式宣泄情感。在现代化发展浪潮的冲击下,藏羌铠甲舞传承面临着严峻挑战,依据参与式发展方法对其保护已迫在眉睫,民族特色的保存对于多元文化的发展至关重要。
[Abstract]:Based on the theory and method of ritual anthropology, a field survey of Tibetan and Qiang armored dance in the upper reaches of Minjiang River was carried out. It is believed that Qiang soldiers will dance armour dance named "Hari" and "Keshigra" when they go out to the army ceremony and the funeral sacrifice after the war. The melody of "Hari" is vigorous, and the content is to encourage the warrior to kill the enemy valiantly and return victorious. The low tone of Kessigra reflects the memory and praise of the battlefield men who died in the war. In Kishui County, the Jiarong Tibetans will take the armor dance known as Kastavan in the Tibetan language. Armour dance is popular in Tibetan and Qiang areas of Aba Prefecture, indicating its long-term tradition of national war, which is heroic and belligerent. Besides the basic function of singing and dancing, the social function of armored dance is reflected in the ritual of sacrifice and sacred symbol, the spirit of martial arts and social integration, and the catharsis of emotion by means of ceremony and form of martial arts dance. Under the impact of the development of modernization, the inheritance of Tibetan Qiang armor dance is facing a severe challenge. It is urgent to protect it according to the participatory development method. The preservation of national characteristics is of great importance to the development of multi-culture.
【作者单位】：华南师范大学体育科学学院;深圳大学体育部;四川大学体育科学研究所;
【基金】：国家社科基金资助项目“武舞历史文化流变及其启示的研究”(15CTY020)
【分类号】：J722.29

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