论中原文化影响下的舞蹈艺术表现
发布时间:2018-08-14 16:29
【摘要】:正一、舞蹈艺术的表现形式正如鲜花离不开阳光,脱离了人的舞蹈如同空中阁楼,将不复存在。因此,舞蹈是以人体为表现工具,以形态动作为语言的直观性艺术,美国当代舞蹈教育家吗雷格特.陶布勒尔指出"舞蹈以人体为工具",美国舞蹈理论家约翰.马丁也说:"舞蹈家不是用钢琴或色板之类的客观器具,他的自身就是器具"。由此可见,构成舞蹈形式美的基础和创造舞蹈形式的物
[Abstract]:Just one, dance art form as flowers can not be separated from the sun, people's dance as the air attic, will no longer exist. Therefore, dance is a visual art which takes the human body as the expression tool and the form action as the language. The contemporary American dance educator Leggett. Tobler pointed out that "Dance is a tool of the human body", American dance theorist John. Martin also said: "the dancer does not use an objective instrument such as a piano or a color board. He is an instrument himself." Thus, it can be seen that the basis of the formal beauty of dance and the creation of dance forms of things
【作者单位】: 甘肃省兰州市西北民族大学舞蹈学院;
【分类号】:J705
[Abstract]:Just one, dance art form as flowers can not be separated from the sun, people's dance as the air attic, will no longer exist. Therefore, dance is a visual art which takes the human body as the expression tool and the form action as the language. The contemporary American dance educator Leggett. Tobler pointed out that "Dance is a tool of the human body", American dance theorist John. Martin also said: "the dancer does not use an objective instrument such as a piano or a color board. He is an instrument himself." Thus, it can be seen that the basis of the formal beauty of dance and the creation of dance forms of things
【作者单位】: 甘肃省兰州市西北民族大学舞蹈学院;
【分类号】:J705
【共引文献】
相关期刊论文 前10条
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