先秦儒家乐舞美学思想研究

发布时间：2018-08-28 16:05

【摘要】：先秦时期的“乐”通常包含乐和舞等多种含义，乐舞合一是先秦时期的主要艺术形式，可见十分有必要将乐舞合起来研究先秦儒家美学。然而，国内大多数学者研究先秦儒家音乐美学思想甚多，且都更侧重从政治伦理角度研究，混淆了政治伦理思想与美学思想，所以他们的先秦儒家美学思想观点难免偏颇。先秦儒家舞蹈美学研究零星可数，，不利于我国舞蹈艺术的发展。目前，将音乐与舞蹈结合起来进行研究的学者却凤毛麟角。与国内大多数研究先秦儒家美学的学者不同，笔者以美学学科的理论为指导，将音乐和舞蹈结合起来，从乐舞艺术角度来挖掘先秦儒家美学思想，是一个较新的视角；先秦儒家乐舞美学思想对于引领当代人们确立正确的世界观、人生观和价值观、提升当代音乐修养品格都有重要启示。所以，对先秦儒家乐舞美学思想内涵和当代价值意义的研究，不仅可以丰富中国美学的内容，而且在学术研究中，也可以增添一个新的理论研究视角。本文通过梳理孔子、孟子、荀子三个先秦儒家代表人物的乐舞美学思想的重要内容，分析三者之间的继承流变关系，阐述了先秦儒家乐舞美学思想的发展历程；并且从提升个人修养、促进社会和谐、当代乐舞发展三个方面分析了先秦儒家乐舞美学思想的当代价值意义。
[Abstract]:The "music" of the pre-Qin period usually contains many meanings such as music and dance. The combination of music and dance is the main artistic form of the pre-Qin period, so it is necessary to combine music and dance to study the pre-Qin Confucian aesthetics. However, most domestic scholars study the pre-Qin Confucian music aesthetics thought very much, and all pay more attention to study from the political ethics angle, has confused the political ethics thought with the esthetics thought, therefore their pre-Qin Confucianist esthetics thought viewpoint inevitably is biased. Pre-Qin Confucian dance aesthetics research sporadic, is not conducive to the development of dance art in China. At present, the combination of music and dance research scholars are rare. Different from most scholars who study the pre-Qin Confucian aesthetics, it is a new angle of view to combine music and dance with music and dance, and dig out the pre-Qin Confucian aesthetic thoughts from the point of view of music and dance art. Pre-Qin Confucian aesthetic thoughts of music and dance have important implications for guiding contemporary people to establish correct world outlook, outlook on life and values, and to enhance the character of contemporary music cultivation. Therefore, the study on the connotation of music and dance aesthetics of pre-Qin Confucianism and the significance of contemporary value can not only enrich the content of Chinese aesthetics, but also add a new theoretical research perspective in academic research. By combing the important contents of the aesthetic thoughts of music and dance among Confucius, Mencius and Xunzi, this paper analyzes the relationship between them, and expounds the development course of the aesthetic thought of music and dance of the pre-Qin Confucianism. And from three aspects of personal cultivation, promoting social harmony and the development of contemporary music and dance, this paper analyzes the contemporary value of the aesthetic thought of music and dance of the pre-Qin Confucian school.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J701

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