舞剧的迷失
发布时间：2018-11-27 07:42
【摘要】：正 在舞蹈艺术中,舞剧是最具综合性的艺术体裁,因而也是最考验舞蹈家综合学识的用“舞”之地。大约在1988年,围绕着舞剧调演举行了一个规模不是很大的理论研讨会,有理论家指出:中国大约是世界上出产舞剧最多的国家之一。据不完全统计,建国以来便有200余部。但这为数众多的舞剧不是“无说唱的戏曲”便是“无变奏的芭蕾”。这种意见当时旨在批评舞剧形式的千篇一律和缺乏舞蹈家个性的舞剧创作。形式单一、个性消匿也是“舞剧的迷失”。但彼时的“迷失”好歹还有
[Abstract]:In dance art, dance drama is the most comprehensive art genre, and therefore the most test of the dancer's comprehensive knowledge of the use of "dance". Around 1988, a modest theoretical seminar was held around the performance of dance dramas. Some theorists pointed out that China is about one of the largest producers of dance dramas in the world. According to incomplete statistics, there have been more than 200 since the founding of the people's Republic of China. But many of these dramas are either Rap-free Drama or constant Ballet. The idea was to criticize the stereotype of the dance play and the lack of a dancer's personality in the creation of the play. The form is single, the individuality disappears is also "the dance drama lost". But at that time, "lost" still had something to do with it.
【分类号】：J705
[Abstract]:In dance art, dance drama is the most comprehensive art genre, and therefore the most test of the dancer's comprehensive knowledge of the use of "dance". Around 1988, a modest theoretical seminar was held around the performance of dance dramas. Some theorists pointed out that China is about one of the largest producers of dance dramas in the world. According to incomplete statistics, there have been more than 200 since the founding of the people's Republic of China. But many of these dramas are either Rap-free Drama or constant Ballet. The idea was to criticize the stereotype of the dance play and the lack of a dancer's personality in the creation of the play. The form is single, the individuality disappears is also "the dance drama lost". But at that time, "lost" still had something to do with it.
【分类号】：J705
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