基于姚斯期待视野理论的舞蹈创意表达研究

发布时间：2018-11-27 08:07

【摘要】：舞蹈创意是舞蹈创作者智慧的结晶。舞蹈艺术在创意中诞生,也在创意中发展。没有创意的舞蹈是没有生命力的,舞蹈艺术的本质正是在不断的超越之中保持生命力。接受美学认为,艺术作品的意义与价值系统是由艺术创作主体与接受主体共同参与的主客体交互作用的动态实现模式,舞蹈创意表达最终意义的实现同样是创作主体与接受主体共同作用的结果。因此,研究舞蹈创意表达,对舞蹈接受主体的研究不可忽视。任何艺术作品的接受都是建立在一种先在结构或前理解上,接受美学称之为“期待视野”。它是我们接受一部作品的心理基础和先决条件。本文建立在舞蹈创作——舞蹈作品——舞蹈接受这一完整舞蹈系统的基础上,汲取接受美学研究的新视角、理论成果和研究方法,从舞蹈接受主体的角度出发,以姚斯接受美学理论中的“期待视野”为切入点,结合舞蹈自身的特点,分析舞蹈“期待视野”的内容与主要特征,并梳理其与舞蹈创意表达之间的相互作用,最终分析出舞蹈“期待视野”下的舞蹈创意表达的创作特征,为舞蹈创作主体创造出既有新意又符合接受主体审美需求、提高接受主体审美能力、引领社会正确的审美价值取向的艺术作品提供理论依据,进而丰富舞蹈创作与舞蹈接受理论研究。
[Abstract]:Dance creativity is the crystallization of dance creator's wisdom. Dance art in the creative birth, but also in the creative development. Dance without creativity is lifeless, the essence of dance art is to keep vitality in the constant transcendence. In the view of reception aesthetics, the meaning and value system of art works is the dynamic realization mode of the interaction between subject and object, which is participated by the subject of art creation and the subject of acceptance. The realization of the ultimate meaning of dance creative expression is also the result of the interaction between the creative subject and the recipient subject. Therefore, the study of dance creative expression, the study of dance recipients can not be ignored. The acceptance of any work of art is based on a first understanding of the structure or before, and reception aesthetics is called the "vision of expectation". It is the psychological basis and prerequisite for us to accept a work. Based on the complete dance system of dance creation, dance works and dance acceptance, this paper draws the new angle of view, theoretical achievements and research methods of reception aesthetics, and sets out from the angle of the subject of dance acceptance. This paper analyzes the contents and main characteristics of the dance's "expectation vision", and combs its interaction with the creative expression of dance, from the perspective of expectation in Yao's reception aesthetics theory, combining with the characteristics of dance itself, and analyzes the content and main characteristics of the dance's "expectation field of vision". Finally, it analyzes the creative characteristics of dance creative expression under the "expectation vision", which creates both new ideas and aesthetic needs for the dance creative subject, and improves the aesthetic ability of the receiving subject. The artistic works leading to the correct aesthetic value orientation of society provide theoretical basis and enrich the theoretical research on dance creation and dance acceptance.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J704

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