梯玛祭祀仪式与土家族舞蹈套路的双向实证研究
发布时间：2018-12-20 21:33
【摘要】：梯玛祭祀仪式是土家族特有的法事活动,“梯玛”意为敬神的人,是梯玛祭祀仪式的主体。同时,梯玛祭祀仪式作为土家族巫傩文化结合的民间仪式类传统文化,一直主导和支配着土家族人民信仰和生活的方方面面。土家族民间舞蹈是土家族人民世世代代的智慧结晶,土家族舞蹈不只是一种舞蹈艺术活动,更是梯玛祭祀仪式中的一部分,当土家族舞蹈作为仪式中的部分出现时,它的传承必然会带上更多神圣的色彩,而对仪式的执行者梯玛来说,意味着更大的责任和义务。梯玛祭祀仪式与土家族舞蹈套路原本是两个完全不同的概念,但因为有了舞蹈和宗教这两个中介而联系到了一起。以土家族舞蹈本体作为切入点,通过原始土家族舞蹈身体运动可以丰富和推动土家族梯玛仪式的发展,而梯玛祭祀仪式的发展又可以拓宽土家族舞蹈套路发展的研究视角,以音乐人类学的方法和理论,探讨土家族舞蹈套路形式和梯玛祭祀仪式之间的相互关系。文章在前辈学者们研究的基础上,利用已有的研究成果以及文献资料,运用音乐人类学的调查方法从土家族文化方面切入,运用舞蹈动作分析法从舞蹈本体切入,借助民俗学和历史学的研究方式,从土家族舞蹈的文化内涵方面切入,试图将文化内涵和表现方式相结合,较为全面地探究梯玛祭祀仪式与土家族舞蹈套路之间的关系。梯玛祭祀仪式与土家族舞蹈套路在土家族民族发展的过程中相互碰撞、相互融合,两者相辅相成,相互促进。梯玛祭祀仪式中的土家族舞蹈是一个双面仪式舞蹈,兼具民间仪式和艺术展演的特性,并随时代发展不断进步、不断更新。文章将梯玛祭祀仪式中土家族舞蹈历时和共时双向双轨传承的现状加以叙述,尝试对民间土家族舞蹈以及梯玛祭祀仪式中的土家族舞蹈形式及传承进行“深描”式的挖掘,以此促进梯玛祭祀仪式和土家族舞蹈的不断发展。
[Abstract]:Tema sacrificial ceremony is a special legal activity of Tujia nationality. "Timar" means a person who worships God and is the main part of the ritual of Tema sacrifice. At the same time, as the traditional folk culture of Tujia witchcraft and Nuo culture, Tema sacrifice ceremony has been dominating and dominating all aspects of Tujia people's belief and life. Tujia folk dance is the wisdom of Tujia people from generation to generation. Tujia dance is not only a kind of dance art activity, but also a part of Tamar ritual, when Tujia dance appears as part of ritual. Its inheritance will inevitably bring more sacred color, and to the ritual executor Timar, it means greater responsibility and obligation. Tamar ritual and Tujia dance routine are two completely different concepts, but they are connected with dance and religion. Taking Tujia dance Noumenon as the breakthrough point, the body movement of primitive Tujia dance can enrich and promote the development of Tujia Tema ritual, and the development of Tema sacrificial ritual can broaden the research perspective of Tujia dance routine development. Based on the method and theory of musical anthropology, this paper probes into the interrelation between Tujia dance routine and Tamar sacrificial ritual. On the basis of the previous scholars' research, using the existing research results and literature, using the method of musical anthropology from the Tujia culture, dance movement analysis from dance Noumenon. With the help of folklore and history, this paper tries to probe into the relationship between the ritual of sacrificial sacrifice of Tema and the routine of dance of Tujia nationality by combining the cultural connotation with the mode of expression. Tema sacrificial ritual and Tujia dance routine collided with each other in the process of Tujia nationality development, and they complement each other and promote each other. The Tujia dance in the sacrificial ceremony of Timar is a two-sided ritual dance, which has the characteristics of both folk rituals and artistic performances, and has been constantly developed and updated with the development of the times. The article narrates the present situation of Tujia dance's diachronic and synchronic bi-track inheritance in Tema sacrificial ritual, and tries to dig deeply into the folk Tujia dance and the Tujia dance form and inheritance in Tema sacrificial ritual. In order to promote the Tema sacrificial ceremony and Tujia dance continuous development.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.2
[Abstract]:Tema sacrificial ceremony is a special legal activity of Tujia nationality. "Timar" means a person who worships God and is the main part of the ritual of Tema sacrifice. At the same time, as the traditional folk culture of Tujia witchcraft and Nuo culture, Tema sacrifice ceremony has been dominating and dominating all aspects of Tujia people's belief and life. Tujia folk dance is the wisdom of Tujia people from generation to generation. Tujia dance is not only a kind of dance art activity, but also a part of Tamar ritual, when Tujia dance appears as part of ritual. Its inheritance will inevitably bring more sacred color, and to the ritual executor Timar, it means greater responsibility and obligation. Tamar ritual and Tujia dance routine are two completely different concepts, but they are connected with dance and religion. Taking Tujia dance Noumenon as the breakthrough point, the body movement of primitive Tujia dance can enrich and promote the development of Tujia Tema ritual, and the development of Tema sacrificial ritual can broaden the research perspective of Tujia dance routine development. Based on the method and theory of musical anthropology, this paper probes into the interrelation between Tujia dance routine and Tamar sacrificial ritual. On the basis of the previous scholars' research, using the existing research results and literature, using the method of musical anthropology from the Tujia culture, dance movement analysis from dance Noumenon. With the help of folklore and history, this paper tries to probe into the relationship between the ritual of sacrificial sacrifice of Tema and the routine of dance of Tujia nationality by combining the cultural connotation with the mode of expression. Tema sacrificial ritual and Tujia dance routine collided with each other in the process of Tujia nationality development, and they complement each other and promote each other. The Tujia dance in the sacrificial ceremony of Timar is a two-sided ritual dance, which has the characteristics of both folk rituals and artistic performances, and has been constantly developed and updated with the development of the times. The article narrates the present situation of Tujia dance's diachronic and synchronic bi-track inheritance in Tema sacrificial ritual, and tries to dig deeply into the folk Tujia dance and the Tujia dance form and inheritance in Tema sacrificial ritual. In order to promote the Tema sacrificial ceremony and Tujia dance continuous development.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.2
【参考文献】
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