“文为心学”—刘熙载心学本体论文艺思想研究

发布时间：2018-01-02 03:23

本文关键词：“文为心学”—刘熙载心学本体论文艺思想研究　出处：《苏州大学》2014年硕士论文　论文类型：学位论文

【摘要】：刘熙载是晚清时代一位著名的学者、文艺理论家和教育家。他的著作涉及多个领域，其中最为重要的是他在《艺概》和《游艺约言》等著作中阐述的文艺美学思想。学界对其研究已有多方面的成果，但对刘熙载的文艺美学思想研究还不够全面。本文即以刘熙载的诸多著述为研究对象，拟从“文为心学”出发，对刘熙载的心学本体论文艺思想进行论述。本文共分为导言、正文和结语三部分。正文分为四个章节。导言：概括地介绍刘熙载其人其书，他的文艺思想和哲学、美学之间的关系，概述刘熙载文艺思想研究现状和本文的研究方法、基本内容及意义。第一章：论述刘熙载的“文为心学”观，探讨“文为心学”与儒道佛思想的关系。第二章：从本体论的角度出发，着重从“崇道”、“尚正”、“尚真”三个层面分别论述“心”与“艺”的关系。第三章：从艺术风格论的角度出发，强调“持志”对风格形成的重要性，肯定艺术作品“美在本色”的特质，追求“清而厚”的自然理想。第四章：从创作论角度出发，，着重从“养气”、“炼识”两方面强调创作主体的自身修养和能力对艺术创作的重要性，再从“自成一家”命题出发，强调创作主体的创新性。总之，刘熙载的“文为心学”观是对中国传统文化的继承与发展，不仅显示出一种融“天、地、人”为一体的包容气势，更使创作主体与创作客体得到了完整的统一。综上，本文在前人研究成果的基础上，用文艺学、美学的研究方法对刘熙载的心学本体论文艺思想进行研究，述论结合，力求尽可能客观地评价研究对象。
[Abstract]:Liu Xizai is a famous scholar, literary theorist and educator in the late Qing Dynasty. Among them, the most important is his literary and artistic aesthetics thought elaborated in his works such as "the Art outline" and "the Book of Entertainment", and so on. The academic circles have made many achievements on the study of the literature and art aesthetics. However, the study of Liu Xizai's literary and artistic aesthetics is not comprehensive enough. This paper, taking Liu Xizai's many works as the research object, intends to discuss Liu Xizai's ontology of the mind from the perspective of "Wen as the mind". This article is divided into an introduction. The text is divided into four chapters. Introduction: this paper briefly introduces Liu Xizai's book, the relationship between his literary thought and philosophy, aesthetics, the present situation of Liu Xizai's literary and artistic thought, and the research methods, basic contents and significance of this paper. The first chapter discusses Liu Xizai's view of "Wen as mind" and discusses the relationship between "text for mind" and Confucianism, Taoism and Buddhism. The second chapter discusses the relationship between "heart" and "art" from three aspects: "Chong Dao", "Shang Zheng" and "Shang Zhen" from the perspective of ontology. Chapter three: from the point of view of artistic style theory, it emphasizes the importance of "keeping one's ambition" to the formation of style, affirms the nature of "beauty in nature", and pursues the natural ideal of "clear and thick". Chapter 4th: from the angle of creation theory, it emphasizes the importance of self-cultivation and ability of creative subject to artistic creation from two aspects of "nourishing qi" and "practicing knowledge", and then starts from the proposition of "building a family by oneself". Emphasis is placed on the creativity of the creative subject. In a word, Liu Xizai's view of "Wen as a mind" is the inheritance and development of Chinese traditional culture, which not only shows a kind of tolerance momentum of "heaven, earth, man" as a whole. Moreover, the creation subject and the creation object get the complete unity. In summary, based on the previous research results, this paper studies Liu Xizai's theory of mind ontology literature and art with the methods of literature and art and aesthetics, and combines theory with theory to evaluate the object of study as objectively as possible.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J0

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