江西红色文化题材美术创作研究

发布时间：2018-01-04 21:25

本文关键词：江西红色文化题材美术创作研究　出处：《江西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：本文围绕江西丰富的红色历史文化资源，以江西红色文化题材美术绘画创作为研究对象，主要对江西自1949年-1990年期间创作的关于红色文化美术创作进行收集和整理，，并结合具体创作参考文献资料研究分析。第一点主要对江西红色美术创作的研究背景及动机作了宏观的叙述，描述了自1949年建国以来至1990年期间江西形成的红色文化及从现代国家重大历史题材美术创作工程的独特角度阐述现代人们遗忘祖国红色历史的现状。第二点主要对江西红色文化美术创作、红色革命历史题材进行概念的界定。为文章后面做好铺垫。第三点梳理江西自1949年-1990年期间红色文化题材的具体美术创作，尤其在文革时期及粉碎四人帮时期的江西红色美术创作，我们会发现当时的美术创作已经不仅仅只是满足人们的审美需要更多的是为政治宣传服务。许多作品印证了红色美术作品必然受政治的强大影响，同时也深深地影响着当时人民大众的审美情趣和爱国标准。满足了当时处于革命激情之中的人们对伟大祖国的热爱。这些同样在十一届三中全会时期和改革开放时期江西红色美术创作中得以体现。第四点着重介绍当代江西画家对传统红色文化的继承和发展，叙述传承江西红色文化的必要性。第五点重点分析国家重大历史题材美术创作活动江西具有代表性的红色美术创作。
[Abstract]:This paper focuses on the history of Jiangxi's rich red cultural resources in Jiangxi, the red culture theme art painting as the research object, mainly in Jiangxi since the 1949 -1990 period on the creation of the red culture art collection and collation, and combined with the analysis of the specific reference to the creation of literature research.
The first main point of Jiangxi red art creation background and motivation for the macro narration, description of the period since 1949 to 1990 the formation of Jiangxi red culture and from the unique perspective of modern art creation of national major historical themes of modern engineering people forget the motherland. Red historical status
The second point is mainly to define the red cultural and artistic creation of Jiangxi and the concept of the historical theme of the red revolution.
The art of red culture theme third combing Jiangxi since 1949 during -1990, especially during the cultural revolution and the downfall of the gang of four periods of Jiangxi red art creation, we will find that the creation of art is not only to meet the aesthetic needs of people more for political propaganda. Many works confirmed the strong effect of Red Art inevitable by politics, but also deeply affects the people's aesthetic taste and patriotic standards. To meet the people in the revolutionary fervor of the love of the great motherland. The same period in the third Plenary Session of the 11th CPC Central Committee and the period of reform and opening up of Jiangxi red art creation to be reflected.
The fourth point is to introduce the inheritance and development of contemporary Jiangxi painters to the traditional red culture, and to describe the necessity of inheriting the red culture of Jiangxi.
The fifth point focuses on the analysis of the national major historical themes of art creation activities in Jiangxi, which is the representative of the red art.

【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J04

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