扬雄美学思想研究

发布时间：2018-01-15 19:36

本文关键词：扬雄美学思想研究　出处：《山东师范大学》2006年博士论文　论文类型：学位论文

【摘要】：扬雄是西汉著名的文学家、哲学家,从当代学术范例来看,在一定意义上还可称之为美学家。人们对他的文学作品、文学思想、哲学思想进行了广泛而深入的研究,而对其美学思想的研究则相对比较薄弱,目前似乎没有专论扬雄美学思想的著作或博士、硕士论文诞生。为了填补这一空缺,我选择扬雄美学思想进行整体性研究。本论文主要探讨扬雄美学思想的来龙去脉、主体内容、地位影响等诸多方面,它分为八个有机组成部分:绪论,第一章扬雄美学思想的历史基础和理论前提,第二章扬雄美学思想来源及其哲学基础,第三章扬雄美学思想的审美范畴,第四章扬雄具体门类的美学观,第五章扬雄作品的美学特色,第六章扬雄美学思想的特点,第七章扬雄美学思想的性质、地位、影响和评价。其中,绪论部分是整个研究的铺垫,第一、二章是必要的“前奏”,第三、四、五、六章是主体核心部分。第七章是高潮和尾声,是从更高境界、更广视野进行俯瞰的思想结晶。绪论分三部分:第一部分扬雄其人其事,重点介绍其蔚为壮观的文学成就、特立独行的思想性格、令人惊叹的突出地位;第二部分研究现状,目前的研究主要集中在挖掘其美学思想的几个理论要点上,显得零散而随意,而且至今无人铺展开来进行整体性的详细研究,而本论文从整体面貌着眼,因而将显得更全面、深刻;第三部分研究意义、思路和方法,其意义在于填补整体性研究之空白,并把其潜在的、未成系统的美学理论整合为显在的、系统化的理论,在充分占有材料、细读文本、不曲解其思想原意的基础上,以现代美学学科的胸怀和眼光去看待古代材料,既不把现代美学的术语和概念强加给古代,又使古代的材料以一种现代的组织方式显现出来。第一章历史基础和理论前提是分析扬雄美学思想产生的两个关键要素,必须优先论析。西汉的政治、经济、思想、天文学、辞赋等状况是其产生的大语境,它规约了其美学思想的丰富多彩和变化多端。先秦以来对美的思考和西汉主要美学思想面貌是其美学思想产生的小语境,是其理论前提(背景)。扬雄美学思考的焦点主要有:美的客观性和主观性之间的结合能否找到形而上的依据,如何给予人格精神美全面的概括,如何在艺术世界、主观世界、客观世界之间进行统筹性美学思考,美与社会功用、道德规范、主观心灵、现实需求之间究竟有何关联。
[Abstract]:Yang Xiong is a famous writer and philosopher in the Western Han Dynasty. From the contemporary academic example, he can also be called esthetician in a certain sense. The philosophical thought has carried on the extensive and thorough research, but to its esthetics thought research is relatively weak, at present does not seem to have the monograph Yang Xiong esthetics thought the work or the doctor. Master thesis was born. In order to fill this vacancy, I chose Yang Xiong aesthetic thought to carry on the overall research. This paper mainly discusses the background of Yangxiong's aesthetic thought, the main content, the influence of position and so on. It is divided into eight organic components: introduction, the first chapter of the historical basis and theoretical premise of Yangxiong aesthetic thought. The second chapter is the origin of Yangxiong's aesthetic thought and its philosophical foundation, the third chapter is the aesthetic category of Yangxiong's aesthetic thought, the 4th chapter is the aesthetic view of Yangxiong's specific categories, and the aesthetic characteristics of 5th Yangxiong's works. The characteristics of Yangxiong's aesthetic thoughts in 6th, and the nature, status, influence and evaluation of his aesthetic thoughts in 7th chapters. Among them, the introduction part is the foreshadowing of the whole research, the first and second chapters are the necessary "prelude", the third and fourth. Chapter five and six are the core part of the subject. Chapter 7th is the climax and the end. The introduction is divided into three parts: the first part is about Yang Xiong's work, focusing on his spectacular literary achievements, his maverick ideological character, and his amazing prominence; The second part of the status of research, the current research mainly focused on the excavation of his aesthetic thoughts on several theoretical points, appears scattered and random, and no one has spread out to carry out a holistic and detailed study. But this thesis looks from the whole appearance, therefore will appear more comprehensive, profound; The third part of the research significance, ideas and methods, its significance is to fill the gap in the overall study, and its potential, unsystematic aesthetic theory into a clear, systematic theory, in the full possession of materials. On the basis of reading the text carefully and without misinterpreting its original meaning, the ancient materials are treated with the mind and vision of modern aesthetics, and the terms and concepts of modern aesthetics are neither imposed on the ancient times. And make ancient materials appear in a modern way of organization. The first chapter is the historical basis and theoretical premise to analyze the two key elements of Yang Xiong's aesthetic thought. The political, economic, ideological, astronomical and rhetorical conditions of the Western Han Dynasty are the major context of its emergence. It prescribes the variety and variety of its aesthetic thought. The reflection on beauty since the pre-Qin Dynasty and the appearance of the main aesthetic thought in the Western Han Dynasty are the small context of its aesthetic thought. Is its theoretical premise (background. Yang Xiong aesthetic thinking focus mainly: whether the combination of objectivity and subjectivity of beauty to find the metaphysical basis, how to give a comprehensive summary of the beauty of personality spirit. How to carry on the overall aesthetic thinking between the artistic world, the subjective world, the objective world, the beauty and the social function, the moral standard, the subjective mind, the realistic demand exactly what is the connection.
【学位授予单位】：山东师范大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：I01

【引证文献】