当代多元审美文化中的艺术受众批判

发布时间：2018-02-14 12:37

  本文关键词： 艺术受众 多元审美文化 艺术文本 受众本位 个体建设　出处：《中国海洋大学学报(社会科学版)》2013年01期 　论文类型：期刊论文

【摘要】：在当代审美文化多元共生的语境中,各种艺术文本呈现出的全面低幼化、粗鄙化、欲望化和平面化表征促使我们开始将反思和批判的目光对准长期高居神坛的艺术受众。考察当代书写文本的受众——读者、视觉文本的受众——观众和大众审美文化的受众——消费者的内在景观与审美症候,揭示当代审美文化的堕落趋向和其广大接受者的精神病变之间的互为因果的关系,可以引起学界将关注的重心由审美文化的制作转向受众研究。
[Abstract]:In the multi-symbiotic context of contemporary aesthetic culture, all kinds of artistic texts are characterized by comprehensive primary-age and vulgarization. The representation of desire and planarization urges us to begin to focus our reflection and criticism on the art audience, who has been living high in the world of gods for a long time. The audience of the visual text-the audience of the audience and the audience of the popular aesthetic culture-the internal landscape and the aesthetic symptoms of the consumers, reveal the causal relationship between the decadent tendency of the contemporary aesthetic culture and the mental diseases of the vast number of recipients. The focus of attention can be shifted from the production of aesthetic culture to the study of audience.
【作者单位】： 湖北师范大学文学院;
【分类号】：I01
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本文编号：1510722