中国意境理论的形成与发展

发布时间：2018-02-23 02:27

本文关键词： 意境意象发生发展现代转换　出处：《东北师范大学》2006年硕士论文　论文类型：学位论文

【摘要】： 当代中国文论的建设,要解决好传统文论的现代化问题。中国传统统文论核心问题是意境。本文从情景、虚实关系对“意境”理论形成与发展过程的梳理,探寻意境理论在当下获得新的发展并融入到当代理论的可能性,并试图对意境理论进行当代转化。分四个部分论述:第一部分,前意境阶段。主要论述《尚书》的“诗言志”,老子的大象、虚静,《易传》的“意”与“象,庄子的象外之象、“游心”说中,关于意境的理论迹象。第二部分,意象阶段。主要论述作为意境理论范畴的意象,由在乐论中的体现,到意象概念的提出,以及意象理论的发展演变。第三部分,意境阶段。主要论述意境从唐《诗格》正式提出意境,经过皎然、司空图等人的发展,意境理论的逐渐成熟。第四部分,现代意境阶段。主要论述意境发展至近代,自王国维始,意境开始了向现代美学的转型。他第一次为中国诗学输入无功利的文学观,并破天荒地进行了意境理论的形上诗学构建,初步形成了以境界为核心的现代意境理论体系。朱光潜扩大并深化王氏的无功利美学观,提出人生艺术化,并用直觉说对意境理论进行了解读,对意境理论进行了形式素的分析,推进了意境理论形式素的深化。宗白华主要立足于中国传统,强调意境生命意识,强调生命之动,提倡乐观进取的超世入世观,深入探讨了意境的价值层次、意境的本体层次,并把意境推广到艺术学领域、深化到文化学的深度,深化、提升了意境的虚实问题。王国维、朱光潜与宗白华己经为我们初创了现代意境美学体系,我们应该在他们开创的理论基础上,以兼容并蓄的心态,在总结当代审美体验的基础上,独创出当代意境美学。
[Abstract]:In the construction of contemporary Chinese literary theory, it is necessary to solve the modernization of traditional literary theory. The core problem of Chinese traditional unified literary theory is artistic conception. This paper explores the possibility of the new development of artistic conception theory and its integration into contemporary theory, and attempts to transform the theory of artistic conception into contemporary one. It is divided into four parts: the first part, the stage of pre-artistic conception. It mainly discusses the "poetic aspiration" in Shang Shu, the elephant in Laozi, the "meaning" and "image" in Yi Zhuan, the outside image of Zhuangzi's, and the theory of "wandering heart". On the theoretical signs of artistic conception. The second part, image stage, mainly discusses the image as the category of artistic conception theory, from the embodiment in music theory to the concept of image, and the development and evolution of image theory. Artistic conception stage. Mainly discusses the artistic conception from the Tang Dynasty "poetic style" formally put forward the artistic conception, after Jiao ran, the development of the person such as the sky chart, the artistic conception theory gradually matures. 4th part, the modern artistic conception stage, mainly discusses the artistic conception development to the modern times, From Wang Guowei on, the artistic conception began to transform to modern aesthetics. For the first time, he imported a literary view without utility for Chinese poetics, and constructed the theory of artistic conception on the metaphysical poetics for the first time. Zhu Guangqian expands and deepens Wang's view of non-utilitarian aesthetics, puts forward the artistry of life, and interprets the theory of artistic conception with intuition. This paper analyzes the formal element of the artistic conception theory and advances the deepening of the formal element in the artistic conception theory. Zong Baihua mainly bases on the Chinese tradition, emphasizes the life consciousness of artistic conception, emphasizes the movement of life, and advocates the optimistic and enterprising view of beyond the world's entry into the world. This paper probes deeply into the value level of artistic conception and the Noumenon level of artistic conception, and extends the artistic conception to the field of art, deepens the depth of culturology, deepens and promotes the problem of the virtual reality of artistic conception. Zhu Guangqian and Zong Baihua have established the modern artistic conception aesthetics system for us. We should create the contemporary artistic conception aesthetics on the basis of the theory they have created, with an all-embracing mentality and on the basis of summing up the contemporary aesthetic experience.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：I01

【引证文献】