陌生化诗歌翻译与翻译规范

发布时间：2018-03-11 03:26

本文选题：翻译规范　切入点：陌生化翻译　出处：《外语教学》2012年04期 　论文类型：期刊论文

【摘要】：本文从翻译规范理论的角度,分析了徐志摩陌生化诗歌翻译的翻译学理据。其有机诗体译诗遵从了当时的初始规范即目标文化取向,体现出较强的接受性:早期译诗与文言古体诗杂合;而中后期的译诗则与新格律诗体杂合;同时,遵守了预先规范和责任规范。作为新月社的主要成员,其译诗选材和翻译文本表现均体现出其遵守社团纲领:译诗成为其探寻白话新诗表现力和艺术张力的工具。因而注重译诗本身的形式、意境和韵律的和谐统一;最后,遵守了文本语言规范,在译诗中大量运用白话口语词汇并杜撰新词,这在一定程度上导致了其诗歌语言的非标准化和陌生化。因此,其译诗具有历史性的诗学意义:追求诗歌艺术的新奇性,从而获得陌生化诗歌翻译的效果,最终使译诗成为白话新诗发展的助推器。
[Abstract]:From the perspective of translation norm theory, this paper analyzes the translation theory of Xu Zhimo's defamiliarization poetry translation, which follows the original norm of that time, that is, the target cultural orientation. It shows a strong receptivity: the early translation poetry and classical Chinese poetry hybrid; the middle and late translation poetry and the new rhythm poetry hybrid; at the same time, has complied with the pre-norms and responsibility norms. As a major member of the Crescent Society, The selection of the translated poems and the performance of the translated texts both reflect their adherence to the social program: the translated poems become their tools to explore the expressive power and artistic tension of the vernacular new poems, so they pay attention to the harmonious unity of the form, artistic conception and rhythm of the translated poems; finally, the translation of poetry becomes a tool for exploring the expressive power and artistic tension of the vernacular new poems. It obeys the standard of text language, uses colloquial colloquial words and coined new words in the translated poems, which to some extent leads to the non-standardization and strangeness of its poetic language. The translation of poetry is of historic poetic significance: pursuing the novelty of poetic art, thus obtaining the effect of defamiliarization of poetry translation, and finally making the translated poem become a booster for the development of vernacular new poetry.
【作者单位】：同济大学外国语学院;湘潭大学外国语学院;
【基金】：研究者主持的国家社科基金项目“诗人译诗的翻译诗学研究”(项目编号:10BYY012)的部分成果
【分类号】：H059;I046

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