新疆美术创作中的民族性与时代性研究
发布时间:2018-03-12 21:41
本文选题:新疆美术创作 切入点:民族性 出处:《新疆师范大学》2014年硕士论文 论文类型:学位论文
【摘要】:新疆有着丰厚的文化底蕴,神奇又独特的风土人情,鲜明的地域特色,这块沃土孕育了一代又一代的艺术家,奠定了新疆美术创作气息浓郁、风格独特、热情奔放、深沉厚重的艺术形式和表现手法。从而使新疆的美术创作独树一帜,既具有地域性,广泛性,又不缺乏本土的浪漫精神和绘画形式语言的纯粹性。建国以来,经过新疆画家长期的实践和探索,许多画家的作品频频在国内大展中入选并获奖,个别画家还在国内外的美术馆举办个展,纷纷赢得关注并获得好评,并得到大众认可。我们看到新疆的美术创作开始走向全国,逐步登上了世界的艺术舞台。为何新疆画家在不同时代背景下,在全国美展上屡次获奖?其背后的原因值得我们深思。新疆美术创作必须体现它的民族性才能在中国艺术中立足,只有具备鲜明的时代特征才能有更好的发展。本选题从民族性、时代性两个方面对新疆美术创作进行研究。 本文第一章绪论部分简要论述了本选题的背景及研究的目的和意义。第二章主要研究分析建国以来新疆美术创作的概况,主要以新疆油画和其他画种:国画、水彩画、版画、雕塑等艺术种类的发展脉络进行梳理。第三章,针对新疆美术创作中的民族性体现,通过作品中体现出的少数民族风情、民族精神气质、民族审美情趣价值取向和美术创作形式表现等四个方面并结合相应的美术作品,探索新疆美术创作中的民族性。第四章,主要阐述新疆美术创作中的时代性,从创作内容和表现形式、审美观等方面研究分析新疆美术创作中的时代性。第五章,阐述对新疆美术创作中的民族性与时代性探索的意义和价值以及对当下美术创作者的启示。新疆美术创作的发展与民族性、时代性密不可分,,美术创作只有体现它的民族性才能在中国艺术中立足,只有具备鲜明的时代性才能有更好的发展。第六章,本论文最后做出结论,新疆美术创作的发展是一个传承创新的过程,依托于民族性与时代性。在新疆美术创作中既要体现民族性元素,又要结合当代艺术创作领域的新观念,在继承中努力创新,构建符合时代特色的艺术创作和审美的价值标准。
[Abstract]:Xinjiang has rich cultural heritage, magical and unique local customs, distinctive regional characteristics, this fertile soil has given birth to generations of artists, has laid a Xinjiang fine arts rich flavor, unique style, unrestrained passion, The deep and heavy art forms and expressive techniques make Xinjiang's art creation unique, not only regional and extensive, but also not lacking the local romantic spirit and the pure language of painting form. Since the founding of the people's Republic of China, After a long period of practice and exploration by Xinjiang painters, many painters' works have frequently been selected and won prizes in domestic exhibitions, and individual painters have also held solo exhibitions in art galleries at home and abroad, which have won attention and received high praise. We saw that Xinjiang's art creation began to move toward the whole country, and gradually stepped onto the world's art stage. Why did Xinjiang painters win prizes at national art exhibitions in different times? The reasons behind it are worth our thinking. Xinjiang art creation must embody its nationality in order to be established in Chinese art, and only if it has distinctive characteristics of the times can it have a better development. This paper studies the creation of Xinjiang fine arts from the two aspects of epoch. The first chapter introduces the background of this topic and the purpose and significance of the research. The second chapter mainly studies and analyzes the general situation of Xinjiang art creation since the founding of the people's Republic of China, mainly based on Xinjiang oil painting and other kinds of painting: traditional Chinese painting, watercolor painting, printmaking, etc. The development of sculpture and other kinds of art are combed. Chapter three, in view of the national character in Xinjiang art creation, through the ethnic customs and ethos embodied in the works, Four aspects of the value orientation of national aesthetic taste and the expression of art creation form, combined with the corresponding art works, explore the nationality in Xinjiang art creation. Chapter 4th, mainly expounds the epochal nature of Xinjiang art creation. From the aspects of creative contents and forms of expression, aesthetic standards and so on, this paper studies and analyzes the epochal nature of Xinjiang fine arts creation. Chapter 5th, This paper expounds the significance and value of exploring the nationality and the epoch in Xinjiang's fine arts creation and its inspiration to the present art creators. The development of Xinjiang's art creation is closely related to the national character and the epochal character. Only if art creation embodies its national character can it be established in Chinese art, and only if it has a distinct character of the times can it develop better. Chapter 6th, this paper concludes that the development of Xinjiang art creation is a process of inheritance and innovation. Depending on the nationality and the times, we should not only embody the elements of nationality in Xinjiang's art creation, but also combine with the new ideas in the field of contemporary art creation, strive to innovate in succession, and construct the value standard of artistic creation and aesthetic appreciation in accordance with the characteristics of the times.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J120.9
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