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周立波的“暴风骤雨”和李箕永的“土地”比较研究

发布时间:2018-03-15 22:04

  本文选题:周立波 切入点:李箕永 出处:《中央民族大学》2007年硕士论文 论文类型:学位论文


【摘要】: 本文是关于中、朝两国著名的现,当代小说家周立波和李箕永的长篇小说“暴风骤雨”和“土地”的比较研究论文。虽然两位作者生活在不同的两个国家,但这两部小说都描写了社会大变革时期在两个国家兴起的土地改革运动。 两位作者不仅在出生年代,而且在各自生活的社会背景以及在文学观、创作方法等方面都具有很多的相似之处。周立波(1908—1979)和李箕永(1895—1984)在文学创作中都追求功利主义,他们都重视着作为作者的生活体验以及树立正确的世界观,而且都是按照社会主义现实主义的手法进行创作的。这一点就给我们提供了对两名作者进行比较研究的可能性。 从作品论,作者论角度考察对周立波和李箕永的研究史,我们可以发现,对他们的个体研究已经取得了很多成果,但对两位作者的比较研究还非常少,尚处于开端阶段。因此,本论文将在继承前人研究成果的基础上,致力于两位作者的文学观,来比较研究长篇小说“暴风骤雨”和“土地”,从中找出两部作品的异同点以及其原因。 本文运用美国学派的比较文学研究方法,美国学派倡导的平行研究是指将那些没有明确直接影响关系的两个或多个不同文化背景的文学现象进行类比或对比,研究其同异,以加深对研究对象的认识和理解,归纳文学的通则或模式。平行研究的理论前提是不同的国家,民族,时代的文学存在着共同的文学规律,这使文学具有了“可比性”。 本论文基于上述的平行研究理论,把全文分五大部分进行研究。第一章: 主要说明撰写本论文的目的与意义以及研究方法,同时对前人的先行研究进行了全面的考察。 第二章分三节。 第一节主要介绍两位作者的人生经历,因为周立波和李箕永的文学是重视生活体验的文学,这一点也成了两位作者文学观的重要特征。 周立波早年就通过参加抗日战争充分体会了部队生活。特别是1946年在东北的土地改革体验给作者今后的文学创作提供了重要的材料。 李箕永从小就生活在贫困的生活环境里,由此引起的流浪生活和从中所体验到的穷苦农民的生活状况,成为了作者文学创作的重要素材。 第二节根据前一部分的提示,来分析两位作者的文学观以及社会主义现实主义的创作方法。 第三节在前两节的基础上,说明创作长篇小说“暴风骤雨”和“土地”的当时两国的时代背景和文艺政策。 第三章将分四节。 通过具体解析“暴风骤雨”和“土地”里的各类人物,来了解两位作家文学观在两部小说里的具体运用。两部小说都描写了先进农民形象,党的领导干部形象,反面人物形象,旧社会的典型农民形象,使小说多彩多样。本文将从中找出两部小说里同类人物性格特征的异同,并且找出原因。 第四章将分三节。 运用艺术辩证法的原理,对“暴风骤雨”和“土地”进行比较研究。两部小说都运用“以形式表现内容”的手法,都以“反衬”的手法突出了描写对象的性格特征,都巧妙运用“断”与“连”的情节安排手法,使得小说故事更加有趣。而且运用艺术辩证法的这些原理进行分析,从中又能找出两部小说的差异性,,本论文还将对其原因进行说明。 第五章将概括前四章的内容,来说明长篇小说“暴风骤雨”和“土地”在诸方面所具有的同异性,并说明其原因。
[Abstract]:This is a page, the DPRK is famous, comparative study of contemporary novelist Zhou Libo and Li Jiyong's novel "the mighty storm" and "land". Although the two countries in two different life authors, the two novels describe the land reform movement in the two countries in the period of social change.
The two authors, not only in the age of birth, but also in their life and social background in the view of literature, have a lot of similarities of creation methods. Zhou Libo (1908 - 1979) and Li Jiyong (1895 - 1984) in the literature are the pursuit of utilitarianism, they are regarded as a writer's life experience and build up the correct world outlook, and is done in accordance with the creation of the socialist realism style. This will give us the possibility of comparative study on the two authors.
From the works of the author, on the perspective of the research history of Zhou Libo and Li Jiyong, we can find that on their individual research has made many achievements, but the comparative study of the two authors are very small, is still in the beginning stage. Therefore, this paper will be based on inheriting the previous research results, it in two the literature value, a comparative study of the novel "mighty storm" and "land", to find out the two works from the similarities and differences and the reasons.
In this paper, using the research method of comparative literature of the American school, the American school advocates parallel study refers to the analogy or contrast to those who do not have two or more different cultural backgrounds clearly affect the relationship between the phenomenon of literature, study the similarities and differences, to deepen the research of object recognition and understanding, sum up the rules and models of literature parallel research is the theoretical premise. Different countries, ethnic groups, the literature of the time there is common literature law, which makes the literature with "comparability".
This paper is based on the above parallel research theory, and divides the full text into five parts. Chapter 1:
This paper mainly explains the purpose and significance of writing this paper and the method of research. At the same time, it makes a comprehensive investigation on the previous research.
The second chapter is divided into three sections.
The first section mainly introduces the life experience of the two authors, because Zhou Libo and Li Jiyong's literature is the literature that emphasizes life experience, which has also become an important feature of the two authors' literary view.
Zhou Libo fully realized the army's life in the early years by participating in the war of resistance against Japan. Especially in 1946, the experience of land reform in Northeast China provided important materials for the author's future literary creation.
Li Jiyong lived in a poor living environment from childhood. The resulting wandering life and the living conditions of the poor peasants from them have become an important material for the author's literary creation.
The second section, based on the hints of the previous part, analyzes the literary views of the two authors and the creative methods of socialist realism.
In the third quarter of the first half on the basis of that, the creation of novel "mighty storm" and "land" between the two countries was the historical background and cultural policy.
The third chapter will be divided into four sections.
Through the concrete analysis of "mighty storm" and "land" in all kinds of characters, to understand the two writers literature application in two novels. Two novels describes the advanced farmer image, the image of leading cadres of the party, the negative image, the typical image of peasants in the old society, make the novels colorful. The similarities and differences this paper will find out the two novels from the similar characters, and find out the reason.
The fourth chapter will be divided into three sections.
Using the principle of artistic dialectics, a comparative study of the "mighty storm" and "land". The two novels are the "content" in the form of tactics, with "contrast" approach to highlight the character description of the object, all the clever use of "broken" and "even" plot arrangement, the the story more interesting. The principle and application of art of dialectical analysis, the difference from and to find out the two novels, this thesis also analyzes the reason.
The fifth chapter will summarize the former four chapters, to illustrate the novel "mighty storm" and "land" in both aspects of the same sex, and explain the reason.

【学位授予单位】:中央民族大学
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:I0-03;I207.42

【参考文献】

相关期刊论文 前2条

1 张隆溪;;钱锺书谈比较文学与“文学比较”[J];读书;1981年10期

2 冯健男;周立波小说的真善美[J];文艺研究;1981年04期



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