普列汉诺夫的《艺术论》与鲁迅的文艺观

发布时间：2018-03-16 22:52

本文选题：鲁迅　切入点：普列汉诺夫　出处：《中南大学》2007年硕士论文　论文类型：学位论文

【摘要】： 与任何一种伟大的思想的形成一样，鲁迅的文艺观不是书斋思辩的产物，而是与他的整个思想、创作、人格融为一体的，并在形成过程中，不断与来自外界的各种思想发生碰撞与融合。普列汉诺夫的文艺理论代表作《艺术论》，无疑对鲁迅的思想与创作产生了重要影响，，是他最终接受马克思主义文艺观的中介之一。研究鲁迅对《艺术论》之文艺观的批判性接受，将对我们了解鲁迅后期的文艺思想及其文学与文化活动大有裨益。本文拟分为上、下篇两个部分：上篇：《摩罗诗力说》与《艺术论》这部分内容由两节组成：第一节主要回溯历史，追寻鲁迅之决定以文艺为救国手段的个人和社会时代原因，探讨他早期文化思考中“掊物质而张灵明，任个人而排众数”的核心内容。同时，分析代表了他早期文艺思考的著作《摩罗诗力说》中的文艺观。第二节主要介绍普列汉诺夫其人及其作品《艺术论》在中国的译介情况，并对鲁迅译介《艺术论》的历史过程及他选择普列汉诺夫作为他译介马克思主义文艺理论的重要对象的客观原因。下篇：鲁迅对普列汉诺夫文艺观的接受与超越这部分内容也分为两节：第一节首先分析鲁迅接受普列汉诺夫文艺观的内在条件，即他与普列汉诺夫“精神的相遇”。这一方面是他自身文艺思想不断发展的趋势，另一方面是鲁迅在坎坷中不断求新的结果。其次探讨普列汉诺夫对鲁迅文艺观影响主要表现在对艺术的起源和文艺阶级性的认识两个方面。第二节则在介绍鲁迅文艺观中“稳定的内核”(如对文艺的功利性、形象性、情感性的认识)之同时，探讨鲁迅后期文艺观的个性化特质。
[Abstract]:Like the formation of any great thought, Lu Xun's view of literature and art is not the product of thought in the study, but is integrated with his whole thought, creation, and personality, and in the process of forming, Constantly colliding and merging with various thoughts from the outside world. The masterpiece of Plainov's literary and artistic theory, Art Theory, undoubtedly had an important impact on Lu Xun's thought and creation. The study of Lu Xun's critical acceptance of the literary and artistic view of "Art Theory" will be of great benefit to us to understand the literary and artistic thoughts and literary and cultural activities of the latter stage of Lu Xun. This paper is divided into two parts:. The Theory of the Force of Moro Poems and the Theory of Art. This part consists of two sections: the first section mainly goes back to history, pursues Lu Xun's decision to use literature and art as a means of saving the nation and the reasons of the social times, and probes into his early cultural thinking of "putting things apart" and Zhang Lingming. At the same time, the analysis represents the literary outlook in his early literary and artistic thinking, "Moro Shi Li Theory". The second section mainly introduces the translation and introduction of Prekhanov and his works "on Art" in China. The historical process of Lu Xun's translation of the Theory of Art and the objective reasons why he chose Plainov as the important object of his translation of Marxist theory of literature and art. Lu Xun's acceptance and transcendence of Plainov's views on Literature and Art. This part is also divided into two sections: the first section analyzes the inherent conditions under which Lu Xun accepted Plainov's view of literature and art, that is, his "spiritual encounter" with Plainov, which on the one hand is the trend of his own literary and artistic thoughts constantly developing. On the other hand, it is the result of Lu Xun's constant innovation in the rough period. Secondly, this paper discusses the influence of Pleihanov on Lu Xun's view of literature and art in two aspects: the origin of art and the understanding of the class nature of literature and art. The second section introduces Lu Xun's "stable kernel" (such as the utilitarian, visual and emotional understanding of literature and art).
【学位授予单位】：中南大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：I0-03

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