作为独特美感形态的“张力美感”
发布时间:2018-03-19 09:13
本文选题:张力 切入点:张力美 出处:《东北师范大学》2006年硕士论文 论文类型:学位论文
【摘要】: 在审美活动中,具有“张力”特征的审美对象会在主体心中引起一种特殊的审美感受,本文将其定义为“张力美感”,它与“张力”、“张力美”等范畴既相关联又相互区别。“张力美感”有着种种独特的美感特征,每一特征都有其深层的心理根源。根据不同对象引发“张力美感”途径的不同,本文将“张力美感”的审美对象为“意义张力”对象和“形式张力”对象两大类。“张力美感”与现有的优美感、崇高感等美感形态相比,既有相似之处,也有着诸多的不同,它是一种独特的美感形态,值得我们进行深入系统的研究。 “张力美感”作为审美主体的一种主观审美经验,是立足于人的心灵世界的。所以,本文力图以现代心理学、审美心理学及美感形态方面的研究成果为基础,将视角深入到审美主体的心灵深处,将其在审美活动中复杂而微妙的心理状态进一步揭示出来,对“张力美感”种种美感特征的描述,就是本文论述的重点所在。而为了理清目前略显混乱的“张力”研究现状,更好地把握大量存在着的富有“张力美”的审美对象,本文也对“张力”的概念演变及“张力”对象进行了梳理。此外,为了突显“张力美感”的独特性,将“张力美感”与“优美感”、“崇高感”和中国古代的“势”理论作以比较就显得尤为重要。 总之,本文将“张力美感”作为一种独特的美感形态加以提出,这是对现有美感形态理论的一种补充,意在引发理论界对人类的审美心理进行更细致更深入的研究和思考。
[Abstract]:In aesthetic activities, the aesthetic objects with the characteristics of "tension" will cause a special aesthetic feeling in the mind of the subject. This paper defines it as "tension aesthetic feeling", which is related to and different from other categories, such as "tension" and "tension beauty". Each characteristic has its own deep psychological root. According to the different object cause "tension aesthetic" way different, The aesthetic objects of "tension aesthetic sense" are "meaning tension" object and "form tension" object. It is a unique form of aesthetic sense, worthy of our in-depth and systematic study. As a subjective aesthetic experience of the aesthetic subject, "tension Aesthetic sense" is based on the world of man's soul. Therefore, this paper tries to base on the research results of modern psychology, aesthetic psychology and aesthetic feeling form. The angle of view goes deep into the mind of the aesthetic subject, reveals its complex and delicate psychological state in the aesthetic activity, and describes the characteristics of the aesthetic sense of tension. In order to clear up the present confused research situation of "tension", and better grasp the large number of aesthetic objects rich in "tension beauty", In addition, in order to highlight the uniqueness of the aesthetic sense of tension, this paper also reviews the evolution of the concept of "tension" and the object of "tension". It is very important to compare the aesthetic sense of tension with the sense of beauty, the sense of sublime and the theory of potential in ancient China. In a word, this paper puts forward the "tension aesthetic feeling" as a unique aesthetic form, which is a supplement to the existing aesthetic form theory and is intended to trigger more detailed and in-depth research and reflection on the aesthetic psychology of human beings in the theoretical circle.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2006
【分类号】:I01
【引证文献】
相关期刊论文 前3条
1 王昊宁;刘同为;;从审美心理的视角论武术套路运动的张力[J];首都体育学院学报;2008年06期
2 张中伟;;文学张力形成之我见[J];金田(励志);2012年07期
3 张中伟;;文学张力形成之我见[J];商场现代化;2012年23期
相关博士学位论文 前1条
1 金琼;十七世纪欧洲巴洛克文学张力研究[D];暨南大学;2010年
相关硕士学位论文 前2条
1 于履平;汽车造型中的张力和表现性研究[D];湖南大学;2007年
2 贺俊丹;文学张力理论研究[D];广西师范大学;2010年
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